Verse-by-Verse Bible Commentary
Song of Solomon 2:15

Clarke's Commentary

Verse 15. Take us the foxes — That these were ruinous to vines all authors allow. They love the vine, and they are eaten in autumn in some countries, according to Galen, when they are very fat with eating the grapes. They abounded in Judea; and did most damage when the clusters were young and tender. It is likely that these are the words of the bridegroom to his companions, just as he was entering the apartment of his spouse. "Take care of the vineyard: set the traps for the foxes, which are spoiling the vines; and destroy their young as far as possible."

Bridgeway Bible Commentary

2:8-6:3 MEMORIES AND DREAMS

Springtime and night-time (2:8-3:5)

A fresh poem begins with the girl’s recalling the coming of her shepherd-lover across the hills to visit her at her house (8-9). She remembers his words as he invited her to go with him to visit the fields and vineyards, where the dreariness of winter had passed and the new life of spring was bursting out (10-15). But now she is alone again and he is in the fields looking after his sheep. She longs for the day when he will return to her (16-17).
Because she thought constantly about her lover by day, the girl often dreamt about him at night. On one occasion she dreamt that she was walking around the streets of her home town looking for him. When, to her delight, she found him, she immediately took him back to her family home (3:1-4). She adds her reminder that, when two people have such love for each other, it does no good to stir up their feelings further (5).

Coffman's Commentaries on the Bible

THE TRUE LOVERS LIVE HAPPILY IN THEIR OWN ESTATE

"Take us the foxes, the little foxes, That spoil the vineyards; For our vineyards are in blossom. My beloved is mine, and I am his: He feedeth his flock among the lilies. Until the day be cool, and the shadows flee away, Turn, my beloved, and be thou like a roe or a young hart Upon the mountains of Bether."

"Take us the foxes, the little foxes that spoil the vineyard" This is called, "The most enigmatic verse in Song of Solomon."Broadman Bible Commentary (Nashville: Broadman Press, 1972), op. cit., p. 137. Bunn suggested that, "It might be a reference to the young men who pursued her."Ibid., p. 138. Balchin also understood the verse as figurative. "The Shulamite requests that anything that would spoil the vineyard of their lives must be caught and eradicated. Let love be pure and undisturbed."The New Bible Commentary, Revised, p. 582. The imagination of men has been turned completely loose on this verse. Pope tells us of an alleged explanation, as follows: "The marauding foxes refer to the Amalekites who held a grudge against Jacob, and destroyed his birthright."The Anchor Bible Commentary (Garden City, New York: Doubleday and Company, 1972), op. cit., p. 403.

"My beloved is mine, and I am his; he feedeth his flock among the lilies" Anchor Bible cites a number of scholars who find the most explicit sexual meanings in the second clause;Ibid. but all such notions lie utterly beyond the perimeter of what our English text says; and, as stated earlier, our concern is to understand what the text says, not what some imaginative scholar thinks it might mean. As the verse stands, it stresses the marital happiness of the shepherd and his Shulamite lover. Furthermore, we cannot accept the supposition of Redford that the Shulamite, "Was here lovingly thinking of Solomon as a shepherd. She idealizes."The Pulpit Commentary, Vol. 9d, p. 41. It seems to this writer that not even an idiot could have idealized Solomon as a shepherd pasturing his flock all night long, that is, "until the morning breezes blow, and the darkness disappears."Good News Bible on v. 17.

"Until the day be cool and the shadows flee away" See the Good News Bible rendition of this in the above paragraph.

"Turn, my beloved, be thou like a roe, or a young hart" The Good News Bible translates this: "Return, my darling, like a gazelle."Ibid. The picture here is one of marital happiness. Although the shepherd is out all night with the flock, his wife lovingly, awaits and anticipates his return. It seems to this writer that any application of these verses to Solomon is impossible.

"Upon the mountains of Bether" "There was a chain of mountains east of the Jordan river that bore that name";James Waddey, p. 107 -- Waddey gave this as a possible meaning. which says as clearly as language could say it that this happy couple, was at this time, living happily beyond the Jordan river, whither they had fled from the harem. This is what the passage says.

Now we take an excursion into the never, never land of what the scholars say it might mean:

"These `mountains of separation'Waddey's translation is here used an alternate reading in the ASV (footnote). refer to her breasts, and, by metonymy, to her whole person. Comparing Song of Solomon 1:13 and Song of Solomon 4:6 we have similar usage. The Shulamite says, `My beloved is unto me a bundle of myrrh betwixt my breasts'; and Solomon sings, `I will get me to the mountain of myrrh and the hill of frankincense.'"Ibid. In case there is any doubt of what is meant by this, this rendition of Song of Solomon 1:13 will clarify it: "My lover has the scent of myrrh as he lies upon my breasts."From the Good News Bible. This comparison of a woman's breasts to twin mountains is evidently quite old. The American Indians did the same thing when they called the mountains near Jackson Hole, Wyoming, "The Grand Tetons." A recent example of the same thing is near Kokurah, in Japan, where the soldiers of the United States Air Force called a couple of symmetrical mountain peaks, "The Jane Russell Peaks." This writer made a picture of those.

Interpretation: In this chapter, the Shepherd Lover, standing for Jesus Christ, appears to his love trapped in an evil world (Solomon's harem), takes her unto himself and bestows upon her citizenship in the heavenly kingdom. This all stands for the incarnation of Christ, the establishment of his Church, the rescue of his love (all mankind who believe in Him and obey Him), and his ascension to heaven, leaving the bride separated from Himself until the Second Advent. This separation is found in the allegory of the Bether mountains, "the mountains of separation" (Song of Solomon 2:17). Note that the Shepherd is absent from his lover in Song of Solomon 2:16. His Church feels the absence of Christ in heaven.

Barnes' Notes on the Whole Bible

The bride relates to the chorus a visit which the beloved had paid her some time previously in her native home. He on a fair spring morning solicits her company. The bride, immersed in rustic toils, refuses for the present, but confessing her love, bids him return at the cool of day. It is a spring-time of affection which is here described, still earlier than that of the former chapter, a day of pure first-love, in which, on either side, all royal state and circumstance is forgotten or concealed. Hence, perhaps, the annual recitation of the Song of Songs by the synagogue with each return of spring, at the Feast of Passover, and special interpretations of this passage by Hebrew doctors, as referring to the paschal call of Israel out of Egypt, and by Christian fathers, as foreshadowing the evangelic mysteries of Easter - Resurrection and Regeneration. The whole scene has also been thought to represent the communion of a newly-awakened soul with Christ, lie gradually revealing Himself to her, and bidding her come forth into fuller communion.

Song of Solomon 2:8

Voice - Better, “sound.” Not a voice, but the sound of approaching footsteps is meant (compare “noise,” Isaiah 13:4).

Song of Solomon 2:9

Like a roe - Gazelle (compare Proverbs 5:19 note). The points of comparison here are beauty of form, grace, and speed of movement. In 2 Samuel 2:18; 1 Chronicles 12:8, princes are compared to “gazelles.”

Wall - The clay-built wall of the house or vineyard of the bride’s family, different from the strong wall of a city or fortress Song of Solomon 5:7; Song of Solomon 8:9-10.

Looketh forth at the windows - The meaning evidently is, that he is looking in at, or through, the window from the outside. Compare Song of Solomon 5:4 note.

Shewing himself - Or, peering. Some, taking the marginal rendering, imagine that the radiant face of the beloved is thus compared to some beautiful flower entangled in the lattice-work which protects the opening of the window, from where he gazes down upon the bride.

Song of Solomon 2:10-13

Arise, my friend, my beautiful one, and come away - The stanza begins and ends with this refrain, in which the bride reports the invitation of the beloved that she should come forth with him into the open champaign, now a scene of verdure and beauty, and at a time of mirth and mutual affection. The season indicated by six signs Song of Solomon 2:11-13 is that of spring after the cessation of the latter rain in the first or paschal month Joel 2:23, i. e., Nisan or Abib, corresponding to the latter part of March and early part of April. Cyril interpreted Song of Solomon 2:11-12 of our Lord’s Resurrection in the spring.

Song of Solomon 2:12

The time of the singing ... - i. e., The song of pairing birds. This is better than the rendering of the ancient versions, “the pruning time is come.”

Song of Solomon 2:13

The vines ... - The vines in blossom give forth fragrance. The fragrance of the vine blossom (“semadar”), which precedes the appearance of “the tender grape,” is very sweet but transient.

Song of Solomon 2:14

The secret places of the stairs - A hidden nook approached by a zig-zag path. The beloved urges the bride to come forth from her rock-girt home.

Song of Solomon 2:15

The bride answers by singing what appears to be a fragment of a vine-dresser’s ballad, insinuating the vineyard duties imposed on her by her brethren Song of Solomon 1:6, which prevent her from joining him. The destructive propensities of foxes or jackals in general are referred to, no grapes existing at the season indicated. Allegorical interpretations make these foxes symbolize “false teachers” (compare Ezekiel 13:4).

Song of Solomon 2:16

Feedeth among the lilies - Pursues his occupation as a shepherd among congenial scenes and objects of gentleness and beauty.

Song of Solomon 2:17

Until the day break - Or, rather, until the day breathe, i. e., until the fresh evening breeze spring up in what is called Genesis 3:8 “the cool” or breathing time of the day.

And the shadows flee - i. e., Lengthen out, and finally lose their outlines with the sinking and departure of the sun (compare Jeremiah 6:4). As the visit of the beloved is most naturally conceived of as taking place in the early morning, and the bride is evidently dismissing him until a later time of day, it seems almost certain that this interpretation is the correct one which makes that time to be evening after sunset. The phrase recurs in Song of Solomon 4:6.

Mountains of Bether - If a definite locality, identical with Bithron, a hilly district on the east side of the Jordan valley 2 Samuel 2:29, not far from Mahanaim (Song of Solomon 6:13 margin). If used in a symbolic sense, mountains of “separation,” dividing for a time the beloved from the bride. This interpretation seems to be the better, though the local reference need not be abandoned.

Smith's Bible Commentary

Chapter 2

I am the rose of Sharon, and the lily of the valleys ( Song of Solomon 2:1 ).

The bridegroom responds.

As the lily among the thorns, so is my love among the daughters ( Song of Solomon 2:2 ).

The bride responds.

As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste. He brought me to the banqueting house, and his banner over me was love. Stay me with flagons, comfort me with apples: for I am sick ( Song of Solomon 2:3-5 )

And it probably should be translated "sick with love" because we have a thing of sick of love. We think that, you know, I'm sick of it. But that isn't the meaning here. I'm sick because of it. I'm sick and like I would say I'm smitten of a bad malady or something. Well, I'm sick of love. Love is the cause of my sickness. I'm sick with love. I'm just lovesick, we would say.

His left hand is under my head, his right hand doth embrace me. I charge you, O ye daughters of Jerusalem, by the roes, and by the hinds of the field, that ye stir not up, nor awake my love, till he please ( Song of Solomon 2:6-7 ).

And then the bride goes on to speak.

The voice of my beloved! behold, he comes leaping upon the mountains, skipping upon the hills. My beloved is like a roe or a young hart: behold, he stands behind our wall, he looks forth at the windows, showing himself through the lattice. My beloved spake, and said unto me, Rise up, my love, my fair one, and come away. For, lo, the winter is past, the rain is over and gone; the flowers appear on the earth; and the time of the singing of birds is come, and the voice of the turtle is heard in our land; The fig tree putteth forth her green figs, and the vines with the tender grapes give a good smell. Arise, my love, my fair one, and come away. O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is beautiful. Take us the foxes, the little foxes, that spoil the vines: for our vines have tender grapes. My beloved is mine, and I am his: and he feeds [his flocks, actually] among the lilies. Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether ( Song of Solomon 2:8-17 ).

She continues to speak. Or sing, actually, because it's a song. "

Dr. Constable's Expository Notes

2. Increased longing 2:8-17

Whereas the setting so far had been Israel, it now shifts to the Shulammite’s home that was evidently in Lebanon (cf. Song of Solomon 4:8; Song of Solomon 4:15).

Dr. Constable's Expository Notes

Probably the Shulammite began speaking here. She was evidently urging Solomon, poetically, to deal with some problems in their relationship, rather than telling him to clear literal foxes out of her family’s vineyards. "Foxes" may refer to "the ravages of the aging process that can sap the beauty and vitality of persons (the ’vines’ or vineyards)." [Note: Hubbard, p. 293.] They may refer to the other women in Solomon’s life and court. [Note: Tanner, "The Message . . .," p. 149.] Probably they refer generally to hostile forces that could spoil their love. [Note: Kinlaw, p. 1224; Delitzsch, p. 54; Glickman, pp. 49-50; Hess, p. 97; and Longman, pp. 124-25.] All couples encounter some potentially destructive situations in their relationships that need dealing with occasionally. Often the woman senses these first, as here, but the man should take the initiative in dispelling them and thus protect his loved one.

Gill's Exposition of the Whole Bible

Take us the foxes,.... Of which there were great numbers in Judea; see Judges 15:4; these words are directed not to angels, nor to civil magistrates, but to ministers of the word; but whether the words of Christ, or the church, is not easy to determine; some think they are the words of the church, who had hitherto been relating what Christ said to her, and who, having neglected her vineyard, Song of Solomon 1:6; and now stirred up by Christ to a greater care of it, expresses her concern for its flourishing; and therefore calls upon her attendants and companions, to assist in taking and destroying those which were harmful to it: but rather they seem to be the words of Christ continued; since they not only show the care of his vines, the churches; but express power and authority over those they are spoken to: and perhaps they may be the words of them both jointly; since the church, with Christ, and under him, has a right to stir up her officers to do their work, and fulfil their ministry, they have received of Christ for her service. By foxes may be meant false teachers, to whom the false prophets of old were compared, Ezekiel 13:3; foxes are crafty and subtle creatures, malignant and mischievous, hungry and voracious, full of deceit and dissimulation, are of an ill smell, and abominably filthy; so false teachers walk in craftiness, use good words and fair speeches, and thereby deceive the hearts of the simple; their doctrines are pernicious, their heresies damnable, and they bring destruction on themselves and others; they are hungry after worldly substance, are greedy of it, and can never have enough; devour widows' houses, and make merchandise of men, to enrich themselves; they put on sheep's clothing, transform themselves into angels of light, mimic the voice of Gospel ministers, use their phrases and expressions, that they may not be easily discovered; and are abominable in their principles and practices, and to be shunned by all good men. Now ministers of the Gospel are ordered to take these, to detect them, and refute their errors, and reprove them sharply for them; and, after proper steps taken, to reject them, to cast them out of the vineyards, the churches, and keep them out. Even

the little foxes; heresies and heretics are to be nipped in the bud, before they increase to more ungodliness; otherwise errors, which may seem small at first, soon grow larger and spread themselves, and become fatal to the churches:

that spoil the vines; as foxes do, by gnawing the branches, biting the bark, making bare the roots, devouring the ripe grapes, and infecting all with their noxious teeth and vicious breath x: so false teachers make divisions and schisms in churches; disturb their peace; unsettle some, and subvert others; sap the foundation of religion, and corrupt the word of God; and therefore by all means to be taken, and the sooner the better;

for our vines [have] tender grapes: or "flowers";

Ezekiel 13:3- :. The "vines" are the churches; the "tender grapes", or "flowers", young converts, which Christ has a particular regard unto, Isaiah 40:11; and these, having but a small degree of knowledge, are more easily imposed upon and seduced by false teachers; and therefore, for their sakes, should be carefully watched, and vigorously opposed, since otherwise a promising vintage is in danger of being spoiled. Christ, in this address, intimates, that not only he and the church, but, he ministers also, had an interest in the vines and tender grapes, as they have; see Song of Solomon 8:11; and therefore should be the more concerned for their welfare; hence he calls them "ours"; interest carries a powerful argument in it.

x Vid. Theocrit. Idyll. 1. v. 48, 49. & Idyll. 5. v. 112, 113. So soldiers are compared to foxes, because they eat the grapes in the countries they come into, Aristoph. Equites, Act 3. Sc. 1. p. 350.

Henry's Complete Commentary on the Bible

      14 O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.   15 Take us the foxes, the little foxes, that spoil the vines: for our vines have tender grapes.   16 My beloved is mine, and I am his: he feedeth among the lilies.   17 Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether.

      Here is, I. The encouraging invitation which Christ gives to the church, and every believing soul, to come into communion with him, Song of Solomon 2:14; Song of Solomon 2:14.

      1. His love is now his dove; David had called the church God's turtle-dove (Psalms 84:19), and so she is here called; a dove for beauty, her wings covered with silver (Psalms 18:13), for innocence and inoffensiveness; a gracious spirit is a dove-like spirit, harmless, loving quietness and cleanliness, and faithful to Christ, as the turtle to her mate. The Spirit descended like a dove on Christ, and so he does on all Christians, making them of a meek and quiet spirit. She is Christ's dove, for he owns her and delights in her; she can find no rest but in him and his ark, and therefore to him, as her Noah, she returns.

      2. This dove is in the clefts of the rock and in the secret places of the stairs. This speaks either, (1.) Her praise. Christ is the rock, to whom she flies for shelter and in whom alone she can think herself safe and find herself easy, as a dove in the hole of a rock, when struck at by the birds of prey, Jeremiah 48:28. Moses was hid in a cleft of the rock, that he might behold something of God's glory, which otherwise he could not have borne the brightness of. She retires into the secret places of the stairs, where she may be alone, undisturbed, and may the better commune with her own heart. Good Christians will find time to be private. Christ often withdrew to a mountain himself alone, to pray. Or, (2.) her blame. She crept into the clefts of the rock, and the secret places, for fear and shame, any where to hide her head, being heartless and discouraged, and shunning even the sight of her beloved. Being conscious to herself of her own unfitness and unworthiness to come into his presence, and speak to him, she drew back, and was like a silly dove without heart,Hosea 7:11.

      3. Christ graciously calls her out of her retirements: Come, let me see thy countenance, let me hear thy voice. She was mourning like a dove (Isaiah 38:14), bemoaning herself like the doves of the valleys, where they are near the clefts of the impending rocks, mourning for her iniquities (Ezekiel 7:16) and refusing to be comforted. But Christ calls her to lift up her face without spot, being purged from an evil conscience (Job 11:15; Job 22:26), to come boldly to the throne of grace, having a great high priest there (Hebrews 4:16), to tell what her petition is and what her request: Let me hear thy voice, hear what thou hast to say; what would you that I should do unto you? Speak freely, speak up, and fear not a slight or repulse.

      4. For her encouragement, he tells her the good thoughts he had of her, whatever she thought of herself: Sweet is thy voice; thy praying voice, though thou canst but chatter like a crane or a swallow (Isaiah 38:14); it is music in God's ears. He has assured us that the prayer of the upright is his delight; he smelled a sweet savour from Noah's sacrifice, and the spiritual sacrifices are no less acceptable,1 Peter 2:5. This does not so much commend our services as God's gracious condescension in making the best of them, and the efficacy of the much incense which is offered with the prayers of saints,Revelation 8:3. "That countenance of thine, which thou art ashamed of, is comely, though now mournful, much more will it be so when it becomes cheerful." Then the voice of prayer is sweet and acceptable to God when the countenance, the conversation in which we show ourselves before men, is holy, and so comely, and agreeable to our profession. Those that are sanctified have the best comeliness.

      II. The charge which Christ gives to his servants to oppose and suppress that which is a terror to his church and drives her, like a poor frightened dove, into the clefts of the rock, and which is an obstruction and prejudice to the interests of his kingdom in this world and in the heart (Song of Solomon 2:15; Song of Solomon 2:15): Take us the foxes (take them for us, for it is good service both to Christ and the church), the little foxes, that creep in insensibly; for, though they are little, they do great mischief, they spoil the vines, which they must by no means be suffered to do at any time, especially now when our vines have tender grapes that must be preserved, or the vintage will fail. Believers are as vines, weak but useful plants; their fruits are as tender crops at first, which must have time to come to maturity. This charge to take the foxes is, 1. A charge to particular believers to mortify their own corruptions, their sinful appetites and passions, which are as foxes, little foxes, that destroy their graces and comforts, quash good motions, crush good beginnings, and prevent their coming to perfection. Seize the little foxes, the first risings of sin, the little ones of Babylon (Psalms 137:9), those sins that seem little, for they often prove very dangerous. Whatever we find a hindrance to us in that which is good we must put away. 2. A charge to all in their places to oppose and prevent the spreading of all such opinions and practices as tend to corrupt men's judgments, debauch their consciences, perplex their minds, and discourage their inclinations to virtue and piety. Persecutors are foxes (Luke 13:32); false prophets are foxes, Ezekiel 13:4. Those that sow the tares of heresy or schism, and, like Diotrephes, trouble the peace of the church and obstruct the progress of the gospel, they are the foxes, the little foxes, which must not be knocked on the head (Christ came not to destroy men's lives), but taken, that they may be tamed, or else restrained from doing mischief.

      III. The believing profession which the church makes of her relation to Christ, and the satisfaction she take sin her interest in him and communion with him, Song of Solomon 2:16; Song of Solomon 2:16. He had called her to rise and come away with him, to let him see her face and hear her voice; now this is her answer to that call, in which, though at present in the dark and at a distance,

      1. She comforts herself with the thoughts of the mutual interest and relation that were between her and her beloved: My beloved to me and I to him, so the original reads it very emphatically; the conciseness of the language speaks the largeness of her affection: "What he is to me and I to him may better be conceived than expressed." Note, (1.) It is the unspeakable privilege of true believers that Christ is theirs: My beloved is mine; this denotes not only propriety ("I have a title to him") but possession and tenure--"I receive from his fulness." Believers are partakers of Christ; they have not only an interest in him, but the enjoyment of him, are taken not only in the covenant, but into communion with him. All the benefits of his glorious undertaking, as Mediator, are made over to them. He is that to them which the world neither is nor can be, all that which they need and desire, and which will make a complete happiness for them. All he is is theirs, and all he has, all he has done, and all he is doing; all he has promised in the gospel, all he has prepared in heaven, all is yours. (2.) It is the undoubted character of all true believers that they are Christ's, and then, and then only, he is theirs. They have given their own selves to him (2 Corinthians 8:5); they receive his doctrine and obey his laws; they bear his image and espouse his interest; they belong to Christ. If we be his, his wholly, his only, his for ever, we may take the comfort of his being ours.

      2. She comforts herself with the thoughts of the communications of his grace to his people: He feeds among the lilies. When she wants the tokens of his favour to her in particular, she rejoices in the assurance of his presence with all believers in general, who are lilies in his eyes. He feeds among them, that is, he takes as much pleasure in them and their assemblies as a man does in his table or in his garden, for he walks in the midst of the golden candlesticks; he delights to converse with them, and to do them good.

      IV. The church's hope and expectation of Christ's coming, and her prayer grounded thereupon. 1. She doubts not but that the day will break and the shadows will flee away. The gospel-day will dawn, and the shadows of the ceremonial law will flee away. This was the comfort of the Old-Testament church, that, after the long night of that dark dispensation, the day-spring from on high would at length visit them, to give light to those that sit in darkness. When the sun rises the shades of the night vanish, so do the shadows of the day when the substance comes. The day of comfort will come after a night of desertion. Or it may refer to the second coming of Christ, and the eternal happiness of the saints; the shadows of our present state will flee away, our darkness and doubts, our griefs and all our grievances, and a glorious day shall dawn, a morning when the upright shall have dominion, a day that shall have no night after it. 2. She begs the presence of her beloved, in the mean time, to support and comfort her: "Turn, my beloved, turn to me, come and visit me, come and relieve me, be with me always to the end of the age. In the day of my extremity, make haste to help me, make no long tarrying. Come over even the mountains of division, interposing time and days, with some gracious anticipations of that light and love." 3. She begs that he would not only turn to her for the present, but hasten his coming to fetch her to himself. "Even so, come, Lord Jesus, come quickly. Though there be mountains in the way, thou canst, like a roe, or a young hart, step over them with ease. O show thyself to me, or take me up to thee."