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Bible Dictionaries
Music
Watson's Biblical & Theological Dictionary
or is probably nearly coeval with our race, or, at least, with the first attempts to preserve the memory of transactions. Before the invention of writing, the history of remarkable events was committed to memory, and handed down by oral tradition. The knowledge of laws and of useful arts was preserved in the same way. Rhythm and song were probably soon found important helps to the memory; and thus the muses became the early instructers of mankind. Nor was it long, we may conjecture, before dancing and song united contributed to festivity, or to the solemnities of religion. The first instruments of music were probably of the pulsatile kind; and rhythm, it is likely, preceded the observation of those intervals of sound which are so pleasing to the ear. The first mention of stringed instruments, however, precedes the deluge. Tubal, the sixth descendant from Cain, was "the father of all such as handle the harp and the organ." About five hundred and fifty years after the deluge, or B.C. 1800, according to the common chronology, both vocal and instrumental music are spoken of as things in general use: "And Laban said, What hast thou done, that thou hast stolen away unawares to me, and carried away my daughters, as captives taken with the sword? Wherefore didst thou flee away secretly, and steal away from me; and didst not tell me, that I might have sent thee away with mirth and with songs, with tabret and with harp?" Genesis 31:26-27 .
Egypt has been called the cradle of the arts and sciences, and there can be no doubt of the very early civilization of that country. To the Egyptian Mercury, or Thoth, who is called Trismegistos, or "thrice illustrious," is ascribed the invention of the lyre, which had at first only three strings. It would be idle to mention the various conjectures how these strings were tuned, or to try to settle the chronology of this invention. The single flute, which they called photinx, is also ascribed to the Egyptians. Its shape was that of a horn, of which, no doubt, it was originally made. Before the invention of these instruments, as Dr. Burney justly observes, "music could have been little more than metrical, as no other instruments except those of percussion were known. When the art was first discovered of refining and sustaining tones, the power of music over mankind was probably irresistible, from the agreeable surprise which soft and lengthened sounds must have occasioned." The same learned writer has given a drawing, made under his own eye, of an Egyptian musical instrument, represented on a very ancient obelisk at Rome, brought from Egypt by Augustus. This obelisk is supposed to have been erected at Heliopolis, by Sesostris, near four hundred years before the Trojan war. The most remarkable thing in this instrument is, that it is supplied with a neck, so that its two strings were capable of furnishing a great number of sounds. This is a contrivance which the Greeks, with all their ingenuity, never hit upon. "I have never been able," says the doctor, "to discover in any remains of Greek sculpture, an instrument furnished with a neck; and Father Montfaucon says that in examining the representations of near five hundred ancient lyres, harps, and citharas, he never met with one in which there was any contrivance for shortening the strings during the time of performance, as by a neck and finger board." From the long residence of the Hebrews in Egypt, it is no improbable conjecture that their music was derived from that source. However that may be, music, vocal and instrumental, made one important part of their religious service. If the excellence of the music was conformable to the sublimity of the poetry which it accompanied, there would be no injustice in supposing it unspeakably superior. to that of every other people; and the pains that were taken to render the tabernacle and temple music worthy of the subjects of their lofty odes, leaves little doubt that it was so. That the instruments were loud and sonorous, will appear from what follows; but as the public singing was performed in alternate responses, or the chorus of all succeeded to those parts of the psalm which were sung only by the appointed leaders, instruments of this kind were necessary to command and control the voices of so great a number as was usually assembled on high occasions.
The Hebrews insisted on having music at marriages, on anniversary birth days, on the days which reminded them of victories over their enemies, at the inauguration of their kings, in their public worship, and when they were coming from afar to attend the great festivals of their nation, Isaiah 30:29 . In the tabernacle and the temple, the Levites were the lawful musicians; but on other occasions any one might use musical instruments who chose. There was this exception, however: the holy silver trumpets were to be blown only by the priests, who, by the sounding of them, proclaimed the festival days, assembled the leaders of the people, and gave the signal for the battle and for the retreat, Numbers 10:1-10 . David, in order to give the best effect to the music of the tabernacle, divided the four thousand Levites into twenty-four classes, who sung psalms, and accompanied them with music. Each of these classes was superintended by a leader, placed over it; and they performed the duties which devolved upon them, each class a week at a time in succession, 1 Chronicles 16:5; 1 Chronicles 23:4-5; 1 Chronicles 25:1-31; 2 Chronicles 5:12-13 . The classes collectively, as a united body, were superintended by three directors. This arrangement was subsequently continued by Solomon after the erection of the temple, and was transmitted till the time of the overthrow of Jerusalem. It was indeed sometimes interrupted, during the reign of the idolatrous kings, but was restored by their successors, 2 Chronicles 5:12-14; 2 Chronicles 29:27; 2 Chronicles 35:15 . It was even continued after the captivity, Ezra 3:10; Nehemiah 12:45-47; 1Ma_4:54; 1Ma_13:51 . It should be remarked, however, that neither music nor poetry attained to the same excellence after the captivity as before that period.
There were women singers as well as men in the temple choir; for in the book of Ezra, among those who returned from the Babylonish captivity, there are said to have been two hundred, Ezra 2:65; and in Nehemiah 7:67 , we read of two hundred and forty-five singing men and women. The Jewish doctors will, indeed, by no means admit there were any female voices in the temple choir; and as for those משררית
meshoreroth, as they are called in the Hebrew, they suppose them to be the wives of those who sung. Nevertheless, the following passage makes it evident that women, likewise, were thus employed: "God gave to Heman fourteen sons and three daughters; and all these were under the hands of their father for song in the house of the Lord, with cymbals, psalteries, and harps, for the service of the house of God," 1 Chronicles 25:5-6 . Instrumental music was first introduced into the Jewish service by Moses; and afterward, by the express command of God, was very much improved with the addition of several instruments in the reign of David. When Hezekiah restored the temple service, which had been neglected in his predecessor's reign, "he set the Levites in the house of the Lord, with cymbals, with psalteries, and with harps, according to the commandment of David, and of Gad the king's seer, and Nathan the prophet; for so was the commandment of the Lord by his prophets," 2 Chronicles 29:25 .
The harp, כנור , kinnor, was the most ancient of the class of stringed instruments, Genesis 4:21 . It was sometimes called שמינית , or "eight stringed," 1 Chronicles 15:21; Psalms 6:1; Psalms 12:1; although, as we may gather from the coins or medals of the Maccabean age, there were some harps which were furnished with only three strings. The nablum or psaltery, ναβλιον , ναυλα , נבל , is first mentioned in the Psalms of David. In Psalms 33:2; Psalms 144:9 , it is called עשור "a ten-stringed instrument;"
but in Psalms 92:3 , it is distinguished from it. Josephus assigns to it twelve strings, which, taken in connection with the fact above stated, leaves us to conclude that it sometimes had ten and sometimes twelve strings. It was not played with a bow or fret, but with the fingers: the act of playing it is expressed in Hebrew by the word מזר . It resembled in form a right-angled triangle, or the Greek delta, Δ , inverted. The body of it was of wood and hollow, and was enclosed with a piece of leather tensely drawn. The chords were extended on the outside of the leather, and were fixed at one end into the transverse part of the triangular body of the instrument. Such is its form at the present day in the east; but it has only five strings in its modern shape, 2 Samuel 6:5; 1 Kings 10:12 . There was another instrument of this kind used in Babylonia: it was triangular in form. In Greek it is called σαμβυκη; in Hebrew, סכבא and שבכא . It had originally only four, but subsequently twenty, strings, Daniel 3:5; Daniel 3:7; Daniel 3:10; Daniel 3:15 . Among their wind instruments was the organ, so called in the English version, in Hebrew, עוגב , Genesis 4:21 . It may be styled the ancient shepherd's pipe, corresponding most nearly to the συριγξ , or the pipe of Pan among the Greeks. It consisted at first of only one or two, but afterward of about seven, pipes made of reeds, and differing from each other in length. The instrument called משרוקיתא , used in Babylon, Daniel 3:5 , was of a similar construction. חלול , נחילות , and נקב , chalil, nechiloth, and nekeb, are wind instruments made of various materials, such as wood, reeds, horns, and bones. As far as we may be permitted to judge from the three kinds of pipes now used in the east, the Hebrew instrument called nechiloth is the one that is double in its structure; chalil is perhaps the one of simpler form, having a single stem with an orifice through it; while nekeb answers to the one without an orifice, Isaiah 5:12; Isaiah 30:29; Jeremiah 48:36; Psalms 5:1; Ezekiel 28:13 . סומפוניה , or, according to the marginal reading, סיפניא , Daniel 3:5; Daniel 3:10 , was a wind instrument made of reeds, by the Syrians called sambonja, by the Greeks samponja, and by the Italians zampogna. According to Servius, it was of a crooked shape, קרן , the horn or crooked trumpet, was a very ancient instrument. It was made of the horns of oxen, which were cut off at the smaller extremity, and thus presented an orifice which extended through. In progress of time, rams' horns were hollowed and employed for the same purpose. It is probable that in some instances it was made of brass, fashioned so as to resemble a horn. It was greatly used in war, and its sound resembled thunder, חצוצרת , chatsoteroth, the silver trumpet, was straight, a cubit in length, hollow through out, and at the larger extremity shaped so as to resemble the mouth of a small bell. In times of peace, when the people or the rulers were to be assembled together, this trumpet was blown softly. When the camps were to move forward, or the people to march to war, it was sounded with a deeper note.
There were several sorts of drums. The תפים תפ , toph, rendered in the English version tabret and timbrel. Genesis 31:27 , consisted of a circular hoop, either of wood or brass, three inches and six-tenths wide, was covered with a skin tensely drawn, and hung round with small bells. It was held in the left hand, and beaten to notes of music with the right. The ladies through all the east, even to this day, dance to the sound of this instrument, Exodus 15:20; Job 17:6; Job 21:12; 2 Samuel 6:5 . The cymbals, צלצלים , tseltselim, מצלות , were of two kinds formerly, as there are to this day, in the east. The first consisted of two flat pieces of metal or plates: the musician held one of them in his right hand, the other in his left, and smote them together, as an accompaniment to other instruments. This cymbal and the mode of using it may be often seen in modern armies. The second kind of cymbals, consisted of four small plates attached, two to each hand, which the ladies, as they danced, smote together. But מצלות , Zechariah 14:20 , rendered in the English version bells, are not musical instruments, as some suppose, nor indeed bells, but concave pieces or plates of brass, which were sometimes attached to horses for the sake of ornament.
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Watson, Richard. Entry for 'Music'. Richard Watson's Biblical & Theological Dictionary. https://www.studylight.org/dictionaries/eng/wtd/m/music.html. 1831-2.
