Lectionary Calendar
Tuesday, December 23rd, 2025
the Fourth Week of Advent
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Bible Commentaries
Keil & Delitzsch Old Testament Commentary Keil & Delitzsch
Copyright Statement
The Keil & Delitzsch Old Testament Commentary is a derivative of a public domain electronic edition.
The Keil & Delitzsch Old Testament Commentary is a derivative of a public domain electronic edition.
Bibliographical Information
Keil, Carl Friedrich & Delitzsch, Franz. "Commentary on Psalms 141". Keil & Delitzsch Old Testament Commentary. https://studylight.org/commentaries/eng/kdo/psalms-141.html. 1854-1889.
Keil, Carl Friedrich & Delitzsch, Franz. "Commentary on Psalms 141". Keil & Delitzsch Old Testament Commentary. https://studylight.org/
Whole Bible (38)Old Testament (1)Individual Books (5)
Introduction
Evening Psalm in the Times of Absalom
The four Psalms, Psalms 140:1-13, Psalms 141:1-10, Psalms 142:1-7, and Psalms 143:1-12, are interwoven with one another in many ways ( Symbolae, pp. 67f.). The following passages are very similar, viz., Psalms 140:7; Psalms 141:1; Psalms 142:2, and Psalms 143:1. Just as the poet complains in Psalms 142:4, “when my spirit veils itself within me,” so too in Psalms 143:4; as he prays in Ps 142:8, “Oh bring my soul out of prison,” so in Psalms 143:11, “bring my soul out of distress,” where 爪专讛 takes the place of the metaphorical 诪住讙专 . Besides these, compare Psalms 140:5-6 with Psalms 141:9; Psalms 142:7 with Psalms 143:9; Psalms 140:3 with Psalms 141:5, 专注讜转 ; Ps 140:14 with Ps 142:8; Psalms 142:4 with Psalms 143:8.
The right understanding of the Psalm depends upon the right understanding of the situation. Since it is inscribed 诇讚讜讚 , it is presumably a situation corresponding to the history of David, out of the midst of which the Psalm is composed, either by David himself or by some one else who desired to give expression in Davidic strains to David's mood when in this situation. For the gleaning of Davidic Psalms which we find in the last two Books of the Psalter is for the most part derived from historical works in which these Psalms, in some instances only free reproductions of the feelings of David with respect to old Davidic models, adorned the historic narrative. The Psalm before us adorned the history of the time of the persecution by Absalom. At that time David was driven out of Jerusalem, and consequently cut off from the sacrificial worship of God upon Zion; and our Psalm is an evening hymn of one of those troublous days. The ancient church, even prior to the time of Gregory ( Constitutiones Apostolicae, ii. 59), had chosen it for its evening hymn, just as it had chosen Psalms 63:1-11 for its morning hymn. Just as Psalms 63:1-11 was called 慰虜 慰虛蟻胃蟻喂谓慰虂蟼 ( ibid. 8:37), so this Psalm, as being the Vesper Psalm, was called 慰虜 蔚虛蟺喂位蠀虂蠂谓喂慰蟼 (vid., 8:35).
Verses 1-2
The very beginning of Psalms 141:1-10 is more after the manner of David than really Davidic; for instead of haste thee to me, David always says, haste thee for my help, Psalms 22:20; 38:23; Psalms 40:14. The 诇讱 that is added to 讘旨拽专讗讬 (as in Psalms 4:2) is to be explained, as in Psalms 57:3: when I call to Thee, i.e., when I call Thee, who art now far from me, to me. The general cry for help is followed in Psalms 141:2 by a petition for the answering of his prayer. Luther has given an excellent rendering: Let my prayer avail to Thee as an offering of incense; the lifting up of my hands, as an evening sacrifice ( Mein Gebet m眉sse fur dir t眉gen wie ein Reuchopffer, Meine Hende auffheben, wie ein Abendopffer ). 转旨讻旨讜谉 is the fut. Niph. of 讻旨讜旨谉 , and signifies properly to be set up, and to be established, or reflexive: to place and arrange or prepare one's self, Amos 4:12; then to continue, e.g., Psalms 101:7; therefore, either let it place itself, let it appear, sistat se , or better: let it stand, continue, i.e., let my prayer find acceptance, recognition with Thee 拽讟专转 , and the lifting up of my hands 诪谞讞转志注专讘 . Expositors say that this in both instances is the comparatio decurtata , as in Psalms 11:1 and elsewhere: as an incense-offering, as an evening mincha . But the poet purposely omits the 讻旨 of the comparison. He wishes that God may be pleased to regard his prayer as sweet-smelling smoke or as incense, just as this was added to the azcara of the meal-offering, and gave it, in its ascending perfume, the direction upward to God,
(Note: It is not the priestly 拽讟专转 转旨诪讬讚 , i.e., the daily morning and evening incense-offering upon the golden altar of the holy place, Exodus 30:8, that is meant (since it is a non-priest who is speaking, according to Hitzig, of course John Hyrcanus), but rather, as also in Isaiah 1:13, the incense of the azcara of the meal-offering which the priest burnt ( 讛拽讟讬专 ) upon the altar; the incense (Isaiah 66:3) was entirely consumed, and not merely a handful taken from it.)
and that He may be pleased to regard the lifting up of his hands ( 诪砖讉讗转 , the construct with the reduplication given up, from 诪砖旨讉讗转 , or even, after the form 诪转旨谞转 , from 诪砖旨讉讗讛 , here not oblatio , but according to the phrase 谞砖讉讗 讻驻旨讬诐 讬讚讬诐 , elevatio , Judges 20:38, Judges 20:40, cf. Psalms 28:2, and frequently) as an evening mincha , just as it was added to the evening tam谋虃d according to Exodus 29:38-42, and concluded the work of the service of the day.
(Note: The reason of it is this, that the evening mincha is oftener mentioned than the morning mincha (see, however, 2 Kings 3:20). The whole burnt-offering of the morning and the meat-offering of the evening (2 Kings 16:15; 1 Kings 18:29, 1 Kings 18:36) are the beginning and close of the daily principal service; whence, according to the example of the usus loquendi in Daniel 9:21; Ezra 9:4., later on mincha directly signifies the afternoon or evening.)
Verses 3-4
The prayer now begins to be particularized, and that in the first instance as a petition fore the grace of silence, calling to mind old Davidic passages like Psalms 39:2; Psalms 34:14. The situation of David, the betrayed one, requires caution in speaking; and the consciousness of having sinned, not indeed against the rebels, but against God, who would not visit him thus without his deserving it, stood in the way of any outspoken self-vindication. In pone custodiam ori meo 砖讈诪专讛 is 伪虜虂蟺. 位蔚纬 ., after the infinitive form 讚旨讘拽讛 , 注讝讘讛 , 注爪诪讛 . In Psalms 141:3 讚旨诇 is 伪虜虂蟺. 位蔚纬 . for 讚旨诇转 ; cf. “doors of the mouth” in Micah 7:5, and 蟺蠀虂位伪喂 蟽蟿慰虂渭伪蟿慰蟼 in Euripides. 谞爪旨专讛 might be imper. Kal: keep I pray, with Dag. dirimens as in Proverbs 4:13. But 谞爪专 注诇 is not in use; and also as the parallel word to 砖讈诪专讛 , which likewise has the appearance of being imperative, 谞爪旨专讛 is explicable as regards its pointing by a comparison of 讬拽旨讛讛 in Genesis 49:10, 讚旨讘旨专讛 in Deuteronomy 33:3, and 拽专讘讛 in Psalms 73:28. The prayer for the grace of silence is followed in Psalms 141:4 by a prayer for the breaking off of all fellowship with the existing rulers. By a flight of irony they are called 讗讬砖讈讬诐 , lords, in the sense of 讘旨谞讬 讗讬砖讈 , Psalms 4:3 (cf. the Spanish hidalgos = hijos d'algo , sons of somebody). The evil thing ( 专注 | 讚旨讘专 , with Pasek between the two 专 , as in Numbers 7:13; Deuteronomy 7:1 between the two 诪 , and in 1 Chronicles 22:3 between the two ) 诇 , to which Jahve may be pleased never to incline his heart ( 转旨讟 , fut. apoc. Hiph. as in Psalms 27:9), is forthwith more particularly designated: perpetrare facinora maligne cum dominis, etc . 注诇诇讜转 of great achievements in the sense of infamous deeds, also occurs in Psalms 14:1; Psalms 99:8. Here, however, we have the Hithpo. 讛转注诇诇 , which, with the accusative of the object 注诇诇讜转 , signifies: wilfully to make such actions the object of one's acting (cf. Arab. ta鈥沘llala b - 'l - s虒' , to meddle with any matter, to amuse, entertain one's self with a thing). The expression is made to express disgust as strongly as possible; this poet is fond of glaring colouring in his language. In the dependent passage neve eorum vescar cupediis , 诇讞诐 is used poetically for 讗讻诇 , and 讘旨 is the partitive Beth, as in Job 21:25. 诪谞注诪旨讬诐 is another hapaxlegomenon, but as being a designation of dainties (from 谞注诐 , to be mild, tender, pleasant), it may not have been an unusual word. It is a well-known thing that usurpers revel in the cuisine and cellars of those whom they have driven away.
Verses 5-7
Thus far the Psalm is comparatively easy of exposition; but now it becomes difficult, yet not hopelessly so. David, thoroughly conscious of his sins against God and of his imperfection as a monarch, says, in opposition to the abuse which he is now suffering, that he would gladly accept any friendly reproof: “let a righteous man smite in kindness and reprove me - head-oil (i.e., oil upon the head, to which such reproof is likened) shall my head not refuse.” So we render it, following the accents, and not as Hupfeld, Kurtz, and Hitzig do: “if a righteous man smites me, it is love; if he reproves me, an anointing of the head is it unto me;” in connection with which the designation of the subject with 讛讬讗 would be twice wanting, which is more than is admissible. 爪讚旨讬拽 stands here as an abstract substantive: the righteous man, whoever he may be, in antithesis, namely, to the rebels and to the people who have joined them. Amyraldus, Maurer, and Hengstenberg understand it of God; but it only occurs of God as an attribute, and never as a direct appellation. 讞住讚 , as in Jeremiah 31:3, is equivalent to 讘旨讞住讚 , cum benignitate = benigne . What is meant is, as in Job 6:14, what Paul (Galatians 6:1) styles 蟺谓蔚蠀蛡渭伪 蟺蟻伪蠀蛣虂蟿畏蟿慰蟼 . and 讛诇诐 , tundere , is used of the strokes of earnest but well-meant reproof, which is called “the blows of a friend” in Proverbs 27:6. Such reproof shall be to him as head-oil (Psalms 23:5; Psalms 133:2), which his head does not despise. 讬谞讬 , written defectively for 讬谞讬讗 , like 讬砖旨讈讬 , in Psalms 55:16, 讗讘讬 , 1 Kings 21:29 and frequently; 讛谞讬讗 (root 谞讗 , Arab. n' , with the nasal n , which also expresses the negation in the Indo-Germanic languages) here signifies to deny, as in Psalms 33:10 to bring to nought, to destroy. On the other hand, the lxx renders 渭畏虁 位喂蟺伪谓伪虂蟿蠅 蟿畏虁谓 魏蔚蠁伪位畏虂谓 渭慰蠀 , which is also followed by the Syriac and Jerome, perhaps after the Arabic nawiya , to become or to be fat, which is, however, altogether foreign to the Aramaic, and is, moreover, only used of fatness of the body, and in fact of camels. The meaning of the figure is this: well-meant reproof shall be acceptable and spiritually useful to him. The confirmation 讻旨讬志注讜讚 讜讙讜 follows, which is enigmatical both in meaning and expression. This 注讜讚 is the cipher of a whole clause, and the following 讜 is related to this 注讜讚 as the Waw that introduces the apodosis, not to 讻旨讬 as in 2 Chronicles 24:20, since no progression and connection is discernible if 讻讬 is taken as a subordinating quia . We interpret thus: for it is still so (the matter still stands thus), that my prayer is against their wickednesses; i.e., that I use no weapon but that of prayer against these, therefore let me always be in that spiritual state of mind which is alive to well-meant reproof. Mendelssohn's rendering is similar: I still pray, whilst they practise infamy. On 注讜讚 讜 cf. Zechariah 8:20 注讜讚 讗砖讈专 (vid., K枚hler), and Proverbs 24:27 讗讞专 讜 . He who has prayed God in Psalms 141:3 to set a watch upon his mouth is dumb in the presence of those who now have dominion, and seeks to keep himself clear of their sinful doings, whereas he willingly allows himself to be chastened by the righteous; and the more silent he is towards the world (see Amos 5:13), the more constant is he in his intercourse with God. But there will come a time when those who now behave as lords shall fall a prey to the revenge of the people who have been misled by them; and on the other hand, the confession of the salvation, and of the order of the salvation, of God, that has hitherto been put to silence, will again be able to make itself freely heard, and find a ready hearing.
As Psalms 141:6 says, the new rulers fall a prey to the indignation of the people and are thrown down the precipices, whilst the people, having again come to their right mind, obey the words of David and find them pleasant and beneficial (vid., Proverbs 15:26; Proverbs 16:24). 谞砖讈诪讟讜旨 is to be explained according to 2 Kings 9:33. The casting of persons down from the rock was not an unusual mode of execution (2 Chronicles 25:12). 讬讚讬志住诇注 are the sides (Psalms 140:6; Judges 11:26) of the rock, after which the expression 蔚虛蠂慰虂渭蔚谓伪 蟺蔚虂蟿蟻伪蟼 of the lxx, which has been misunderstood by Jerome, is intended to be understood;
(Note: Beda Pieringer in his Psalterium Romana Lyra Radditum (Ratisbonae 1859) interprets 魏伪蟿蔚蟺慰虂胃畏蟽伪谓 蔚虛蠂慰虂渭蔚谓伪 蟺蔚虂蟿蟻伪蟼 慰喂虜 魏蟻伪蟿伪喂慰喂虁 蟿蠀虛蟿蠅蛡谓 , absorpti , i.e., operti sunt loco ad petram pertinente signiferi turpis consilii eorum .)
they are therefore the sides of the rock conceived of as it were as the hands of the body of rock, if we are not rather with B枚ttcher to compare the expressions 讘旨讬讚讬 and 注诇志讬讚讬 construed with verbs of abandoning and casting down, Lamentations 1:14; Job 16:11, and frequently. In Psalms 141:7 there follows a further statement of the issue on the side of David and his followers: instar findentis et secantis terram ( 讘旨拽注 with Beth, elsewhere in the hostile signification of irrumpere ) dispersa sunt ossa nostra ad ostium ( 诇驻讬 as in Proverbs 8:3) orci ; Symmachus: 蠅虜虂蟽蟺蔚蟻 纬蔚蠅蟻纬慰虁蟼 慰虜虂蟿伪谓 蟻虜畏虂蟽蟽畏蛥 蟿畏虁谓 蟿畏虁谓, 慰蠀虜虂蟿蠅蟼 蔚虛蟽魏慰蟻蟺喂虂蟽胃畏 蟿伪虁 慰虛蟽蟿伪蛡 畏虜渭蠅蛡谓 蔚喂虛蟼 蟽蟿慰虂渭伪 伪虜虂蛥未慰蠀 ; Quinta: 蠅虜蟼 魏伪位位喂蔚蟻纬蠅蛡谓 魏伪喂虁 蟽魏伪虂蟺蟿蠅谓 蔚虛谓 蟿畏蛡蛥 纬畏蛡蛥 魏. 蟿. 位 . Assuming the very extreme, it is a look of hope into the future: should his bones and the bones of his followers be even scattered about the mouth of She么l (cf. the Syrian picture of She么l: “the dust upon its threshold 鈥沘l - escu虃fteh ,” Deutsche Morgenl盲nd. Zeitschrift, xx. 513), their soul below, their bones above - it would nevertheless be only as when on in ploughing cleaves the earth; i.e., they do not lie there in order that they may continue lying, but that they may rise up anew, as the seed that is sown sprouts up out of the upturned earth. lxx Codd. Vat. et Sinait. 蟿伪虁 慰虛蟽蟿伪蛡 畏虜渭蠅蛡谓 , beside which, however, is found the reading 伪蠀虛蟿蠅蛡谓 ( Cod. Alex. by a second hand, and the Syriac, Arabic, and Aethiopic versions), as B枚ttcher also, pro ineptissimo utcunque , thinks 注爪诪讬谞讜 must be read, understanding this, according to 2 Chronicles 25:12 extrem., of the mangled bodies of those cast down from the rock. We here discern the hope of a resurrection, if not directly, at least (cf. Oehler in Herzog's Real-Encyclop盲die, concluding volume, S. 422) as am emblem of victory in spite of having succumbed. That which authorizes this interpretation lies in the figure of the husbandman, and in the conditional clause (Psalms 141:8), which leads to the true point of the comparison; for as a complaint concerning a defeat that had been suffered: “so are our bones scattered for the mouth of the grave (in order to be swallowed up by it),” Psalms 141:7, would be alien and isolated with respect to what precedes and what follows.
Verses 8-10
If Psalms 141:7 is not merely an expression of the complaint, but at the same time of hope, we now have no need to give the 讻旨讬 the adversative sense of imo, but we may leave it its most natural confirmatory signification namque. From this point the Psalm gradually dies away in strains comparatively easy to be understood and in perfect keeping with the situation. In connection with Psalms 141:8 one is reminded of Psalms 25:15; Psalms 31:2; with Psalms 141:9., of Psalms 7:16; Psalms 69:23, and other passages. In “pour not out ( 转旨注专 with sharpened vowel instead of 转旨注专 , Ges. 搂75, rem. 8) my soul,” 注专讛 , Piel, is equivalent to the Hiph. 讛注专讛 in Isaiah 53:12. 讬讚讬 驻讞 are as it were the hands of the seizing and capturing snare; and 讬拽砖讉讜旨 诇旨讬 is virtually a genitive: qui insidias tendunt mihi , since one cannot say 讬拽砖讈 驻讞 , ponere laqueum . 诪讻诪专讬诐 , nets, in Psalms 141:10 is another hapaxlegomenon; the enallage numeri is as in Psalms 62:5; Isaiah 2:8; Isaiah 5:23, - the singular that slips in refers what is said of the many to each individual in particular. The plural 诪拽砖讈讜转 for 诪拽砖讈讬诐 , Psalms 18:6; Psalms 64:6, also occurs only here. 讬讞讚 is to be explained as in 4:9: it is intended to express the coincidence of the overthrow of the enemies and the going forth free of the persecuted one. With 讬讞讚 讗谞讻讬 the poet gives prominence to his simultaneous, distinct destiny: simul ego dum ( 注讚 as in Job 8:21, cf. Job 1:18) praetereo h.e. evado . The inverted position of the 讻旨讬 in Psalms 18:10-12 may be compared; with Psalms 120:7 and 2 Kings 2:14, however (where instead of 讗祝志讛讜旨讗 it is with Thenius to be read 讗驻讜讗 ), the case is different.