Lectionary Calendar
Wednesday, April 2nd, 2025
the Fourth Week of Lent
the Fourth Week of Lent
There are 18 days til Easter!
advertisement
advertisement
advertisement
Attention!
For 10¢ a day you can enjoy StudyLight.org ads
free while helping to build churches and support pastors in Uganda.
Click here to learn more!
free while helping to build churches and support pastors in Uganda.
Click here to learn more!
Bible Commentaries
Ellicott's Commentary for English Readers Ellicott's Commentary
Copyright Statement
These files are public domain.
Text Courtesy of BibleSupport.com. Used by Permission.
These files are public domain.
Text Courtesy of BibleSupport.com. Used by Permission.
Bibliographical Information
Ellicott, Charles John. "Commentary on Psalms 22". "Ellicott's Commentary for English Readers". https://studylight.org/commentaries/eng/ebc/psalms-22.html. 1905.
Ellicott, Charles John. "Commentary on Psalms 22". "Ellicott's Commentary for English Readers". https://studylight.org/
Whole Bible (50)Old Testament (1)Individual Books (6)
Introduction
XXII.
The fact that Jesus uttered from His cross the words of bitter woe that begin this poem, have given and must ever give it a special interest and importance. It was natural that Christian sentiment should fasten lovingly on it, and almost claim it, not only as a record of suffering typical of our Lordâs suffering, but as actually in every detail prophetic of Him. But the signs of a true Messianic character of prophecy are to be looked for in moral likeness, not in accidental resemblances of situation, or coincidences of language, and in this sense Psalms 22:0 must ever be considered Messianic.
Nothing in Davidâs recorded life bears out the title. The identification of the sufferer with Jeremiah, though much more probable, is excluded by the joyous and hopeful tone of the conclusion of the poem. But is it an individual sufferer at all, and not rather suffering Israel whose profound misery in the first part, and whose happy restoration in the second, the poet depicts?
If such an interpretation suits the description of the suffering servant of Jehovah in Isa. Iii., 53, as many critics think (comp. Isaiah 49:3), it suggests itself for this psalm which has so many points of analogy with that passage (see Notes). The herds of wild beasts that surround the sufferer are more appropriate as a figure of hostile tribes than of personal enemies, and the vivid picture of suffering in Psalms 22:14-15 are not less applicable to the material condition of an oppressed nation than the description in Isaiah 1:5-6 is to the moral condition. (Comp. Isaiah 52:14.) Such a view certainly suits the conclusion of the psalm better than any other. The individual sufferer at all events there disappears, and his fortunes merge in those of the nation (notice the change to the plural in Psalms 22:26; Psalms 22:29), and the brilliant prospect of a time when the tale of Godâs righteousness shall be handed down from generation to generation is that of the prophet who has mourned his countryâs woes rather than his own, and has seen in faith the prayers of Israel heard, and the promises made to her amply performed.
Still, the strong personal tone in the opening of the poem suggests that this prophet was himself closely identified with the sufferings he depicts, and shared them not only in sympathy but in reality, and the great consensus of opinion looks for the author among the sufferers in the exile, and probably among the Levites. (See Note, Psalms 22:26.) The rhythm is irregular, suited to such a dirge.
Upon Aijeleth Shahar.âMore correctly, upon Ayyeleth ha-shachar, i.e., upon the hind of the morning, a phrase which at once suggests either an instrument so named, or a particular tune to which the psalm was to be sung, as we might say, âto the tune of âAs pants the hart.â â The latter is the view to which all the best commentators have now unanimously come. It is not worth while even to notice other conjectures.
Verse 1
(1) My God, my God.âHeb., Eli, Eli, lama azavtanĂź, where the Targum paraphrases sabbacthani, the form used by our Saviour on the cross. (See Notes, N. T. Comm., Matthew 27:46; Mark 15:34.) The LXX. and Vulgate insert âlook upon me.â (Comp. English Prayer Book version.) For the despairing tone comp. Psalms 80:14. It suits the whole of pious Israel in her times of trouble even better than any individual.
The second part of the verse is obscure from its lyric conciseness, but the Authorised Version has given the meaning, though sacrificing the rhythmâ
âMy God, my God, why hast thou forsaken me,
Far from my aid, from the words of my groaning?â
i.e., far from listening to the words that escape me only in groans.
Roaring.âA word used generally of a lion (Isaiah 5:29; comp. Judges 14:5); but also of a man (Psalms 38:9). Hitzigâs conjecture, âfrom my cry,â instead of âfrom my help,â is very plausible, since it makes the parallelism complete and involves a very slight change. The LXX. and Vulg. have âthe words of my offences.â
Verse 2
(2) And am not silent.âThis misses the parallelism, which evidently requires âO my God, I cry in the daytime, and thou answerest not; in the night, and find no repose.â
Verse 3
(3) But.âIn spite of his seeming desertion the poet still believes Jehovah is the God of the covenantâstill the Holy One in whom His people could trust.
The phrase âinhabiting the praises of Israel,â recalls the more usual âthou that dwellest between the cherubimsâ (1 Samuel 4:4; 2 Samuel 6:2; Psalms 80:1; Psalms 99:1, where see Note). But the idea here is more spiritual. The ever-ascending praises of His people become a throne for the Divine King, and take the place of the outstretched wings of the cherubim. Perhaps there is a reminiscence of Exodus 15:11-12. This explanation is at once more literal and better than the Rabbinical, âenthroned as the praises.â (Comp. Aquila: âas the hymns.â)
Verse 5
(5) Confoundedâi.e., ashamed.
Verse 6
(6) Worm.âAn indication of extreme degradation and helplessness. (Comp. Isaiah 41:14.)
Verse 7
(7) Laugh me to scorn.âLXX., áŒÎŸÎ”ÎŒÏ ÎșÏ᜔ÏÎčÏᜱΜ, the verb used by St. Luke in his description of the crucifixion (Luke 23:35).
Shoot out the lip.âLiterally, open with the lip (Psalms 35:21; Job 16:10). We use the expression, âcurl the lip.â
Verse 8
(8) He trusted.âSo the LXX. (Comp. Matthew 27:43.) So, too, Ewald among moderns. But generally the form gol (short for gĂŽl) is taken as an imperative. Literally, roll thyself on God. (Comp. Psalms 37:5; Proverbs 16:3, margin.)
Verse 9
(9) But.âBetter, For. Faith that turns to God in spite of derision is the best answer to derision.
Thou didst make me hope.âBetter, thou didst make me repose on my motherâs breast.
Verse 12
(12) Bulls of Bashan.âFor âBashanâ see Numbers 21:33; for its pastures and cattle, comp. Deuteronomy 32:14, and for the figures, Amos 4:1. Instead of âfat bulls,â the LXX. and Vulgate paraphrase âstrong ones of Bashan.â The point of the comparison lies in the wantonness and insolence of pampered pride, displayed by the minions of fortune.
Verse 13
(13) Ravening.âLiterally, tearing in pieces. (Comp. Lamentations 2:15-16; Lamentations 3:10.)
Roaring.âComp. Amos 3:4.
Verse 14
(14) The state of hopeless prostration into which the victim of these terrible foes is brought could not be more powerfully described. It is a state of entire dissolution. Again Lamentations 2:2 offers a close parallel.
Out of joint.âPerhaps, better, stand out as in a state of emaciation. (Comp. Psalms 22:17.) Literally, separate themselves. In other places, however, âbonesâ is used in the sense in which we use âfibres,â in such a phrase as âall the fibres of his frame.â
Verse 15
(15) My strength.âThe conjecture, âmy palate,â instead of âmy strength,â improves the parallelism. Others, but not so happily, âmy moisture.â
The dust of death.âComp. Shakespeareâs âMacbeth:â
âThe way to dusty death.â
Verse 16
(16) Dogs.âLiterally, barkers. (For the wild scavenger dogs of the East, comp. 1 Kings 12:19, &c) Symmachus and Theodotion render, âhunting dogs.â
The assembly of the wicked denotes the factious nature of the attacks on the sufferer. His enemies have combined, as savage animals, to hunt in packs. Comp. Virgil, Ăn. ii. 351:â
âââlupi ceu
Raptores atra in nebula.â
They pierced.âThe word thus rendered has formed a battle-ground for controversy. As the Hebrew text at present stands the word reads kĂąarĂź (like a lion). (Comp. Isaiah 38:13.) But no intelligible meaning can be got out of âlike a lion my hands and my feet.â Nor does the plan commend itself of dividing the verses differently, and reading, âThe congregation of wicked men have gathered round me like a lion. On my hands and my feet I can tell all my bones.â The punctuation of the text must therefore be given up, and a meaning sought by changing the reading. The necessity of a change is supported both by the ancient versions and by some MSS., and also by the Masora; though considerable difference exists as to what the word should be read. If the authority of the ancient versions alone were to decide, some verb in the past tense must be read, but the most reasonable course is to accept the present text, but with a different vowel, treating it as a participle, with suffix, of kĂ»r, whose root-idea, according to Ewald, is âto bind;â but according to most other scholars is âto dig.â It is, however, so doubtful whether it can mean to dig throughâi.e., to pierceâthat it is better to understand here a binding of the limbs so tightly as to dig into them, and wound them. Render: âThe band of villains [literally, breakers] surrounded me, binding my hands and feet so as to cut them.â
Verse 18
(18) They part my garments . . .âi.e., as of one already dead. The word âgarmentâ (beged) and âvestureâ (lebĂ»sh) are synonymous terms for the same article of dressâthe modern abba, or plaid, the usual outer garment of the Bedouin. The latter is a more poetic term. (See Bib. Diet, art. âDress.â) The application of the verse in John 19:24, &c, adds a refinement not present in the psalm.
Verse 19
(19) Darling.âSee margin. The Hebrew word is used of an only child, Genesis 22:2; Genesis 22:12, Judges 11:34; of a person left desolate, Psalms 25:16; Psalms 68:6; here as a synonym for âsoulâ or âlife.â We may compare the common Homeric expression, ÏÎŻÎ»ÎżÎœ ÎșáżÏ.
Verse 21
(21) Unicorns.âSee Numbers 23:22; either âbuffaloesâ or âantelopes.â There is some uncertainty about the translation of the second clause of this verse. It may be (1) âAnd from the horns of buffaloes hear me,â i.e., hear me calling for help from the horns, &c; or (2) âSave me from the lionâs mouth, and from the horns of buffaloes Thou hast heard meââa sudden transition from plaintive prayer to exultant faith; or (3), following the LXX. and Vulg., âAnd from the horns of buffaloes save me, poor and humble as I am.â The first is, on the whole, preferable, as preserving the parallelism better.
Verse 22
(22) I will declare.âFor the application of this verse in Hebrews 2:12, see New Testament Commentary.
Verses 23-24
(23, 24) These verses contain the substance of the poetâs joyful announcement.
Verse 26
(26) The meek.âBetter, The afflicted. This term, combined here with so many expressions for the worship of Jehovah, points to the Levites.
Your heart.âLXX. and Vulg., âtheir,â which carries on the construction better. But such sudden changes of person are common in Hebrew; see even next verse. The feast that was made after a great sacrifice, such as 2 Chronicles 7:5, not improbably suggested the figure of the banquet at which all the restored of Israel should meet; afterwards elaborated in the prophets (comp. Isaiah 25:6), and adopted in its refined spiritual sense by our Lord (Luke 14:16).
The prophetic glance reaches further than the immediate occasion, and in the suffererâs triumphant sense of vindication and restoration he embraces the whole world. (Comp. Jeremiah 16:19.) The interposition of Divine judgment in favour of Israel will warn the nations into sudden recollection of Him, and bring them submissive to His throne.
Verse 29
(29) Shall eat.âThe figure of the banquet is resumed from Psalms 22:26, and extended. The mention of the âfat upon earth,â as included in this feast, seems certainly out of place, and injures the parallelism. We must change the text to either (1) âShall eat and do homage all earthâs mourners,â or (2) âAh! to him shall be bowed all the fat ones of earth.â
They that go down to the dustâi.e., those on the point to die through their sufferings.
And none can keep.âBetter, And he who cannot keep his soul alive. Literally, has not kept. But the parallelism shows that this is not spoken of those actually dead, but of those not able from poverty to keep body and soul together.
Verse 30
(30) A seed . . .âBetter, Posterity shall serve Him. About Jehovah it shall be told to the (coming) generation. The article makes for this interpretation. Others, as in Psalms 87:6, understand a reference to the census; but the parallelism is against this reference. The next verse repeats the same thought in another form.
Verse 31
(31) They shall comeâi.e., the generation just foretold: it shall announce His righteousness to a still younger generation (literally, to a people born) that He wrought. The tale of Jehovahâs goodness to Israel would be handed on from age to age,
âHis triumphs would be sung
By some yet unmoulded tongue.â