the Fourth Week of Advent
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J.B. Rotherham Emphasized Bible
Song of Solomon 2:8
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Ah, I hear my lover coming! He is leaping over the mountains, bounding over the hills.
The voice of my beloved! look, he comes, Leaping on the mountains, Skipping on the hills.
I hear my lover's voice. Here he comes jumping across the mountains, skipping over the hills.
The Beloved about Her Lover:
Listen! My lover is approaching! Look! Here he comes, leaping over the mountains, bounding over the hills!The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills.
The voice of my beloved! Behold, he comes, Leaping on the mountains, Skipping on the hills.
"Listen! My beloved! Behold, he comes, Climbing on the mountains, Leaping and running on the hills!
The voice of my beloved! Behold, he comes, leaping over the mountains, bounding over the hills.
this derlyng cometh leepynge in mounteyns, and skippynge ouer litle hillis.
The voice of my beloved! behold, he cometh, leaping upon the mountains, skipping upon the hills.
Listen! My beloved approaches. Look! Here he comes, leaping across the mountains, bounding over the hills.
She Speaks: I hear the voice of the one I love, as he comes leaping over mountains and hills
The voice of my beloved! behold, he cometh, Leaping upon the mountains, Skipping upon the hills.
The voice of my loved one! See, he comes dancing on the mountains, stepping quickly on the hills.
The voice of the man I love! Here he comes, bounding over the mountains, skipping over the hills!
The voice of my beloved! Behold, he cometh Leaping upon the mountains, Skipping upon the hills.
I hear my lover's voice. Here it comes, jumping over the mountains, skipping over the hills.
Hark! my beloved! behold, he cometh, leaping upon the mountains, skipping upon the hills.
The voice of my beloued! behold! hee commeth leaping vpon the mountaines, skipping vpon the hils.
"I tell you, O daughters of Jerusalem, by the gazelles and deer of the field, you must not wake up my love until it is pleasing to her." "Listen, it is the voice of my loved one! See, he is coming! He is running over the mountains, jumping across the hills.
The voice of my beloved! Look, he comes, leaping upon the mountains, bounding over the hills.
It is the voyce of my welbeloued: beholde, hee commeth leaping by the mountaines, and skipping by the hilles.
The voice of my beloved! behold, he comes leaping upon the mountains, skipping upon the hills.
The Woman
I hear my lover's voice. He comes running over the mountains, racing across the hills to me.The voice of my beloved, behold he cometh leaping upon the mountains, skipping over the hills.
The voice of my beloved! Behold, he comes, leaping upon the mountains, bounding over the hills.
I charge you (O ye daughters of Hierusalem) by the roes and hindes of the fiede, that ye wake not vp my loue, nor touche her, tyll she be content her selfe.
The voice of my kinsman! behold, he comes leaping over the mountains, bounding over the hills.
Listen! My love is approaching.Look! Here he comes,leaping over the mountains,bounding over the hills.
The voice of my beloved! Behold, he comes, Leaping on the mountains, Skipping on the hills.
The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills.
The voice of my beloved! Look! Here he comes leaping upon the mountains, bounding over the hills!
The voice of my Beloved! Behold, He comes leaping on the mountains, skipping on the hills.
The voice of my beloved! lo, this -- he is coming, Leaping on the mountains, skipping on the hills.
Me thynke I heare the voyce of my beloued: lo, there commeth he hoppinge vpon ye mountaynes, and leapinge ouer the litle hilles.
Look! Listen! There's my lover! Do you see him coming? Vaulting the mountains, leaping the hills. My lover is like a gazelle, graceful; like a young stag, virile. Look at him there, on tiptoe at the gate, all ears, all eyes—ready! My lover has arrived and he's speaking to me!
The Man
Get up, my dear friend, fair and beautiful lover—come to me! Look around you: Winter is over; the winter rains are over, gone! Spring flowers are in blossom all over. The whole world's a choir—and singing! Spring warblers are filling the forest with sweet arpeggios. Lilacs are exuberantly purple and perfumed, and cherry trees fragrant with blossoms. Oh, get up, dear friend, my fair and beautiful lover—come to me! Come, my shy and modest dove— leave your seclusion, come out in the open. Let me see your face, let me hear your voice. For your voice is soothing and your face is ravishing.The Woman
Then you must protect me from the foxes, foxes on the prowl, Foxes who would like nothing better than to get into our flowering garden. My lover is mine, and I am his. Nightly he strolls in our garden, Delighting in the flowers until dawn breathes its light and night slips away. Turn to me, dear lover. Come like a gazelle. Leap like a wild stag on delectable mountains!"Listen! My beloved! Behold, he is coming, Leaping on the mountains, Jumping on the hills!
The voice of my beloved! Behold, he comes Leaping upon the mountains, Skipping upon the hills.
"Listen! My beloved! Behold, he is coming, Climbing on the mountains, Leaping on the hills!
"The voice of my beloved!Behold, he is coming,Leaping on the mountains,Jumping on the hills!
Contextual Overview
Bible Verse Review
from Treasury of Scripure Knowledge
voice: Song of Solomon 5:2, John 3:29, John 10:4, John 10:5, John 10:27, Revelation 3:20
leaping: 2 Samuel 6:16, Isaiah 35:6, Jeremiah 48:27, Luke 6:23, Acts 3:8, Acts 14:10
the mountains: Isaiah 40:3, Isaiah 40:4, Isaiah 44:23, Isaiah 49:11-13, Isaiah 55:12, Isaiah 55:13, Luke 3:4-6
Reciprocal: Song of Solomon 2:10 - spake Isaiah 52:7 - publisheth John 11:28 - come John 20:16 - She
Cross-References
And Yahweh God planted a garden in Eden, on the east, - and put there the man whom he had formed.
And Yahweh God, caused to spring up, out of the ground, every tree pleasant to the sight and good for food, - and the tree of life, in the midst of the garden, and the tree of the knowledge of good and evil.
So he expelled the man, - and caused to dwell - in front of the garden of Eden - cherubim and a brandishing sword - flame, to keep the way to the tree of life.
So Cain went forth from the presence of Yahweh, - and dwelt in the land of Nod, eastward of Eden.
So Lot lifted up his eyes and beheld all the circuit of the Jordan, that the whole of it, was well-watered, - before Yahweh destroyed Sodom and Gomorrah, like the Garden of Yahweh, like the land of Egypt, as thou enterest into Zoar.
Did the gods of the nations, deliver them, whom my fathers destroyed, Gozan, and Haran, - and Rezeph, and the sons of Eden, who were in Telassar?
For Yahweh hath comforted Zion, He hath comforted all her waste places, And hath made her wilderness like Eden, And her waste plain like the garden of Yahweh, - Joy and gladness, shall be found in her, Thanksgiving, and the voice of melody.
Haran and Canneh and Eden, the merchants of Sheba, - Asshur. Chilmad, Were merchants of thine:
In Eden the garden of God, thou wast. Of every precious stone, was thy covering-Sardius. topaz, and diamond, Chrysolite beryl, and jasper, Sapphire carbuncle and emerald,- And of gold, was the work of thy timbrels and thy flutes within thee, In the day thou wast created, were they prepared:
At the sound of his fall, I made nations tremble, When I caused him to descend into hades, with them who descend into the pit, - Then were grieved in the earth below-All the trees of Eden, The choicest and best of Lebanon All who had drunk the waters.
Gill's Notes on the Bible
The voice of my beloved!.... So says the church, who well knew Christ her beloved's voice; which is known by all believers in him, and is distinguished by them from the voice of others; by the majesty and authority of it; by the power and efficacy of it; by its directing them to himself, and by the pleasure it gives them: and she speaks of it as being very delightful to her; it being the voice of him whom she loved, and a voice of love, grace, and mercy, of peace, pardon, righteousness, and salvation; and, being observed before, what follows shows that Christ is heard before he is seen; he is first heard of in the Gospel, before he is seen, by an eye of faith: and such would have others observe the voice of Christ as well as they, for here the church speaks to the daughters of Jerusalem; and it seems by this, that, by some means or another, Christ had been disturbed, and had departed from the church for a while, and was now upon the return to her, which made his voice the more joyful to her;
behold, he cometh, leaping upon the mountains, skipping upon the hills; this may be, understood, either of Christ's first coming in the flesh, much prophesied of, long expected, and was very welcome: this was attended with many difficulties, comparable to mountains and hills; that he the Son of God should become man; that he should obey, suffer, and die for men, fulfil the law, satisfy justice, atone for sin, and save from all enemies; but those which seemed insuperable were easily surmounted by Christ: or of his spiritual coming; sometimes he withdraws himself, and then returns again, and faith, spying him at a distance, rejoices at his nearer approach; for impediments in his way, occasioned by the unbelief, carnality, lukewarmness, backslidings, and ingratitude of his people, are removed and got over by him, nothing being able to separate from his love; and his coming, either way, is with all readiness, swiftness, speed, and haste. And a "behold" is prefixed to this, as a note of admiration and attention; and is so, whether applied to the one or other. Christ's incarnation was matter of wonder, "behold, a virgin", c. Isaiah 7:14 and so his manifestation of himself to his people, and not to others, is marvellous, "Lord, how is it", c. John 14:22 and both comings are visible, glorious, and delightful. Ambrose g has these remarkable words, by way of paraphrase, on this passage,
"Let us see him leaping; he leaped out of heaven into the virgin, out of the womb into the manger, out of the manger into Jordan, out of Jordan to the cross, from the cross into the tomb, out of the grave into heaven.''
The allusion is to the leaping of a roe, or a young hart, as in Song of Solomon 2:9, which is remarkable for its leaping, even one just yeaned h; so a young hart is described, by the poet i, as leaping to its dam the leap of one of these creatures is very extraordinary k.
g Enarrat. in Psal. cxviii. octon. 7. p. 917. h Vid. Dionys. Perieg. v. 843, 844. i νεβρος αλοιτο, &c. Theocrit. Idyll. 8. prope finem. k "The hart is said to leap sixty feet at a leap", Bochart. Hierozoic. par. 2. l. 3. c. 17. col. 882.
Barnes' Notes on the Bible
The bride relates to the chorus a visit which the beloved had paid her some time previously in her native home. He on a fair spring morning solicits her company. The bride, immersed in rustic toils, refuses for the present, but confessing her love, bids him return at the cool of day. It is a spring-time of affection which is here described, still earlier than that of the former chapter, a day of pure first-love, in which, on either side, all royal state and circumstance is forgotten or concealed. Hence, perhaps, the annual recitation of the Song of Songs by the synagogue with each return of spring, at the Feast of Passover, and special interpretations of this passage by Hebrew doctors, as referring to the paschal call of Israel out of Egypt, and by Christian fathers, as foreshadowing the evangelic mysteries of Easter - Resurrection and Regeneration. The whole scene has also been thought to represent the communion of a newly-awakened soul with Christ, lie gradually revealing Himself to her, and bidding her come forth into fuller communion.
Song of Solomon 2:8
Voice - Better, “sound.” Not a voice, but the sound of approaching footsteps is meant (compare “noise,” Isaiah 13:4).
Song of Solomon 2:9
Like a roe - Gazelle (compare Proverbs 5:19 note). The points of comparison here are beauty of form, grace, and speed of movement. In 2 Samuel 2:18; 1 Chronicles 12:8, princes are compared to “gazelles.”
Wall - The clay-built wall of the house or vineyard of the bride’s family, different from the strong wall of a city or fortress Song of Solomon 5:7; Song of Solomon 8:9-10.
Looketh forth at the windows - The meaning evidently is, that he is looking in at, or through, the window from the outside. Compare Song of Solomon 5:4 note.
Shewing himself - Or, peering. Some, taking the marginal rendering, imagine that the radiant face of the beloved is thus compared to some beautiful flower entangled in the lattice-work which protects the opening of the window, from where he gazes down upon the bride.
Song of Solomon 2:10-13
Arise, my friend, my beautiful one, and come away - The stanza begins and ends with this refrain, in which the bride reports the invitation of the beloved that she should come forth with him into the open champaign, now a scene of verdure and beauty, and at a time of mirth and mutual affection. The season indicated by six signs Song of Solomon 2:11-13 is that of spring after the cessation of the latter rain in the first or paschal month Joel 2:23, i. e., Nisan or Abib, corresponding to the latter part of March and early part of April. Cyril interpreted Song of Solomon 2:11-12 of our Lord’s Resurrection in the spring.
Song of Solomon 2:12
The time of the singing ... - i. e., The song of pairing birds. This is better than the rendering of the ancient versions, “the pruning time is come.”
Song of Solomon 2:13
The vines ... - The vines in blossom give forth fragrance. The fragrance of the vine blossom (“semadar”), which precedes the appearance of “the tender grape,” is very sweet but transient.
Song of Solomon 2:14
The secret places of the stairs - A hidden nook approached by a zig-zag path. The beloved urges the bride to come forth from her rock-girt home.
Song of Solomon 2:15
The bride answers by singing what appears to be a fragment of a vine-dresser’s ballad, insinuating the vineyard duties imposed on her by her brethren Song of Solomon 1:6, which prevent her from joining him. The destructive propensities of foxes or jackals in general are referred to, no grapes existing at the season indicated. Allegorical interpretations make these foxes symbolize “false teachers” (compare Ezekiel 13:4).
Song of Solomon 2:16
Feedeth among the lilies - Pursues his occupation as a shepherd among congenial scenes and objects of gentleness and beauty.
Song of Solomon 2:17
Until the day break - Or, rather, until the day breathe, i. e., until the fresh evening breeze spring up in what is called Genesis 3:8 “the cool” or breathing time of the day.
And the shadows flee - i. e., Lengthen out, and finally lose their outlines with the sinking and departure of the sun (compare Jeremiah 6:4). As the visit of the beloved is most naturally conceived of as taking place in the early morning, and the bride is evidently dismissing him until a later time of day, it seems almost certain that this interpretation is the correct one which makes that time to be evening after sunset. The phrase recurs in Song of Solomon 4:6.
Mountains of Bether - If a definite locality, identical with Bithron, a hilly district on the east side of the Jordan valley 2 Samuel 2:29, not far from Mahanaim (Song of Solomon 6:13 margin). If used in a symbolic sense, mountains of “separation,” dividing for a time the beloved from the bride. This interpretation seems to be the better, though the local reference need not be abandoned.
Clarke's Notes on the Bible
Verse Song of Solomon 2:8. Behold, he cometh leaping — This appears to be highly characteristic of the gambols of the shepherds, and points out the ecstasy with which those who were enamoured ran to their mates. It is supposed that the second day's eclogue begins at this verse. The author of what was then called A New Translation of Solomon's Song, observes,
1. The bride relates how the bridegroom, attended by his companions, had come under her window, and called upon her to come forth and enjoy the beauties of the spring, Song of Solomon 2:9-11, c.
2. She then returns to her narration, Song of Solomon 3:1. The bridegroom did not come according to her wishes. Night came on she did not find him in her bed; she went out to seek him; found him, and brought him to her mother's pavilion, Song of Solomon 3:4; and then, as before, conjures the virgins not to disturb his repose, Song of Solomon 3:5.
