Verse-by-Verse Bible Commentary
Song of Solomon 1:5

Clarke's Commentary

Verse Song of Solomon 1:5. I am black, but comely — This is literally true of many of the Asiatic women; though black or brown, they are exquisitely beautiful. Many of the Egyptian women are still fine; but their complexion is much inferior to that of the Palestine females. Though black or swarthy in my complexion, yet am I comely - well proportioned in every part.

As the tents of Kedar — I am tawny, like the tents of the Arabians, and like the pavilions of Solomon, probably covered by a kind of tanned cloth. The daughters of Jerusalem are said to represent the synagogue; the bride, the Church of Christ. It is easy to find spiritual meanings: every creed will furnish them.

Bridgeway Bible Commentary

1:1-2:7 OPENING EXCHANGES OF PRAISE

The girl longs for her lover (1:1-7)

After an introductory note (1:1), the collection opens with a poem spoken by the girl in praise of her absent lover. At times she imagines she is speaking to him, at times she thinks about him, but always she longs for his love and attention. She thinks that all girls must love such a handsome young man. To her he is king, and she imagines the coming wedding day when he takes her into his room, praises her beauty and makes love to her (2-4).
Aware that men have a liking for lighter skinned girls such as those of Jerusalem, the girl makes excuses for her dark skin. She is a farm girl who has worked in the sun, and she compares the colour of her skin to that of black goat-hair tents. Yet she knows that her lover makes a better comparison when he likens her to the beautiful curtains of Solomon’s palace. The reason for her dark skin is that her hard-hearted brothers have made her look after the family vineyards, with the result that she has not had time to look after the ‘vineyard’ of her own appearance (5-6).
The girl wishes she knew where her lover was feeding his sheep. Then she could go straight to him without having to wander from flock to flock looking for him (7).

Coffman's Commentaries on the Bible

THE SHULAMITE RESPONDS TO CONTEMPTUOUS CRITICISM

"I am black but comely, O ye daughters of Jerusalem, As the tents of Kedar, As the curtains of Solomon. Look not upon me, because I am swarthy, Because the sun hath scorched me. My mother's sons were incensed against me: They made me keeper of the vineyards; But mine own vineyard have I not kept. Tell me, O thou whom my soul loveth, Where thou feedest thy flock, Where thou makest it to rest at noon; For why should I be as one that is veiled Beside the flocks of thy companions?"

This paragraph tells us the identity of the Shulamite's true love. He is a shepherd, not the king of Israel. No stretch of imagination can make a shepherd out of Solomon. Furthermore, the hostility and cruelty of the harem appear here. "The newcomer is subjected to their contemptuous, jealous looks."Ibid.

"I am black but comely, O ye daughters of Jerusalem" That the Shulamite here apologizes for her dark sun-tan indicates that the pale, hot-house victims of the harem had heaped their scorn and criticism upon her.

These words have led some to suppose that the Shulamite was a Negro; "But the parallel line tells us plainly the meaning, `I am swarthy'; therefore, she was apologizing for her dark sun-tan."James Waddey, p. 102. The balance of the paragraph explains how the sun-tan came about. Her brothers had compelled her to work outdoors. Thus she could not keep her "own vineyard." What did she mean by that?

"My own vineyard have I not kept" Bunn interpreted this to mean that, "The Shulamite had not kept her own chastity."Broadman Bible Commentary (Nashville: Broadman Press, 1972), Vol. 5, p. 133. Cook saw it as a reference to, "the care and cultivation of her own beauty."Barnes' Notes on the Old Testament, op. cit., Song of Solomon, p. 123. Pope affirmed that, "The reference is to the maiden's body, especially her sexual parts."The Anchor Bible Commentary (Garden City, New York: Doubleday and Company, 1972), Vol. 7c, p. 326. Cook's opinion is by far the preferable understanding of it. To accept the other views would mean that the Shulamite here confessed her status either as an adulteress or as a prostitute.

"Tell me, O thou whom my soul loveth, where thou feedest thy flock?" If this text has any meaning at all, it means that the Shulamite's true lover was a shepherd. Only by the abuse of figurative language can this be applied to Solomon. The implication of this is that the absent lover was feeding his flock in some place unknown to the Shulamite. Solomon was not absent; he was not feeding a flock, and his place was well known to everyone in Jerusalem. Solomon is not in this at all.

Barnes' Notes on the Whole Bible

This section is made by the Targumist and other Jewish interpreters to adumbrate the condition of Israel in the wilderness; by some Christian expositors, that of the Gentile Church on her first conversion.

Song of Solomon 1:5

I am black ... - Dark-hued, as the tents of Kedar with their black goats’ hair coverings, rough and weather-stained, “but comely (beautiful) as the rich hangings which adorn the pavilion of Solomon. Kedar was the name of an Arab tribe Genesis 25:13; Psalms 120:5. The word itself signifies “dark” or “black.” Possibly “tents of Kedar” stand here poetically for shepherds’ tents in general Isaiah 60:7.

Song of Solomon 1:6

Look not upon me - In wonder or scorn at my swarthy hue. It was acquired in enforced but honest toil: the sun hath scanned me (or “glared upon me”) with his burning eye. The second word rendered “looked” is a word twice found in Job Job 20:9; Job 28:7, and indicates in the latter place the piercing glance of a bird of prey.

My mother’s children, - Or, sons; a more affectionate designation than “brothers,” and implying the most intimate relationship.

Angry - This anger was perhaps but a form of jealous care for their sister’s safety (compare Song of Solomon 8:12). By engaging her in rustic labors they preserved her from idleness and temptation, albeit with a temporary loss of outward comeliness.

Mine own vineyard - A figurative expression for herself or her beauty.

Song of Solomon 1:7

whom my soul loveth - A phrase recurring several times. It expresses great intensity of affection.

Feedest - i. e., “Pursuest thy occupation as a shepherd;” so she speaks figuratively of the Son of David. Compare Song of Solomon 2:16; Song of Solomon 6:3; Psalms 23:1.

Rest - Or, lie down; a term properly used of the couching of four-footed animals: “thy flock” is here therefore easily understood. Compare Ezekiel 34:14-15; Psalms 23:2; Jeremiah 50:6.

As one that turneth aside - Or, goeth astray like an outcast.

Song of Solomon 1:8

The chorus, and not the king, are the speakers here. Their meaning seems to be: If thy beloved be indeed a shepherd, then seek him yonder among other shepherds, but if a king, thou wilt find him here in his royal dwelling.

Smith's Bible Commentary

Tonight we want to look at the Song of Songs which is Solomon's. By the title it indicates that Solomon felt that this was the finest of the one thousand and five songs that he wrote. This is the excellency of the songs that he has written. Of the thousand and five songs, this one is it as far as Solomon is concerned.

In Ecclesiastes, we had a theme: vanity of vanities. In this we have, song of songs. The vanity or the emptiness of the world apart from God. The emptiness of the world in achievement, any achievement that is apart from God. Now he speaks of the song of songs which is Solomon's and the song of songs is a song of love.

Now there are some people who consider the Song of Solomon no more than just an erotic, oriental love song and feel that it has no place in the scriptures. But others have found tremendous inspiration in the Song of Solomon by looking at a spiritual allegory, seeing it as a spiritual allegory. Now to the Jews, it became a spiritual allegory of God's special relationship to the nation Israel. As God is seen in the figure of Solomon the king, and Israel as the favorite choice wife, and as they express their love of each other, so God's expressions of His love for Israel and Israel's expressions of their love for God.

And of course, through a lot of the prophets we find the same theme as God addresses Israel as His wife. And God tells of His love, His deep love for His people. And the espousals of the youth. "When you first discover Me. Where is that love that we had in the beginning?" God said. "Why have you turned away from the love? Who has drawn you away?" And as Israel turned their hearts from God and began to worship Molech and Mammon and Baal and some of the gods of the Canaanites, God spoke out against it as having forsaken Me, your first love, the true love. And you've taken up with these other paramours that are going to leave you desolate. And so to the Jew it became a beautiful spiritual picture of the relationship of the nation Israel, the special relationship the nation Israel experienced with God.

To the church, because the church is often seen in the New Testament as the bride of Christ, it became a picture to the church of the bride of the church, her relationship to Jesus Christ, her bridegroom, her coming King who we look forward to. And so the spiritual allegories are then made applicable to Christ and His love for the church and the church's response to His love.

John Gill, one of the great Puritan preachers, preached to his congregation a hundred and twenty-two sermons out of the Song of Solomon. So for those that are looking for sermon material, seeking to find it in the spiritual allegories, there's just a lot of material here. He preached a hundred and twenty-two sermons out of this book. Bernard of Clairvaux preached sixty-two sermons to his congregation just out of chapter 1. So the book is filled with imagery and possible allegorical applications.

Now, I am not one who really goes into the mystic allegorical applications of the scripture. Though I do see here many beautiful allegories, and you can take the text and spiritualize upon them, that just hasn't been my method of ministry of taking a text and seeking to spiritualize the text. Because different people can see different things in an allegory. And even in the Song of Solomon, there have been various interpretations of the Song of Solomon.

The basic interpretation of the Song of Solomon is that this is a young Shulamite girl that Solomon has fallen deeply in love with. And she is in love with him. And he addresses himself to her declaring his love and declaring her beauty, and she responding to him. While the daughters of Jerusalem are there asking questions of the young girl concerning her love for him, asking Solomon of his love for her, and so the... Actually, again, it's a song, so you see it's set up in a dramatic kind of an opera. You have Solomon standing there singing in his rich baritone voice of his love for his bride. And she with her high soprano answering him and singing, "Come, my beloved into my garden and drink. Taste of its fruits," and so forth. And then you have the chorus over here, the women's chorus, the female chorus. And they every once in a while sing in, "Tell us of thy beloved. Where is he grazing his flocks and so forth at this time?" And they are interjecting.

Now there is another interpretation of the Song of Solomon, basic overall interpretation. And this one is followed in the Amplified Bible and suggested in the Amplified Bible. And that is, that here is the same beautiful young Shulamite girl that Solomon has fallen madly in love with. And he is seeking to make her a part of his harem, for Solomon had a harem second to none. And he is seeking by his wealth, by his grandeur, by all of the gifts and the wealth to cause her to become a part of his vast harem. Seeking to woo her and to seduce her. And she is brought in with the other virgins and she is telling them, they wonder why she isn't responding to his love and she is telling them that she has a true love, a shepherd. And she doesn't respond really to Solomon's love because her heart is after another, her shepherd lover who she longs for, who she seeks after.

And in the spiritual allegories to this other way of looking at the Song of Solomon, Solomon in this other allegory represents the world. The Shulamite woman, the Christian, and how the world is seeking to allure the Christian away from her love for her Shepherd, Jesus Christ. And she has this deep fervent commitment to her shepherd, even Jesus Christ, and cannot be allured by all of the wealth and the glory and the grandeur of Solomon as he seeks to seduce her and draw her into his harem and all.

And so this is another possible interpretation. But this is the problem, the basic problem of spiritualizing the text and seeing it in an allegorical sense, because as you go through the book, either one fits. But surely they are diametrically opposed to each other as far as an interpretation goes. And yet, you can see and you can read it so that either way it fits. Solomon is the one she loves and they are expressing their love for each other. Or, she is sort of rejecting the love of Solomon because of her true love for her shepherd lover.

The Song of songs, which is Solomon's ( Song of Solomon 1:1 ).

It begins with the first singer who is this young Shulamite, beautiful girl, and she sings.

Let him kiss me with the kisses of his mouth: for thy love is better than wine. Because of the savor of your good ointments [or your perfume] thy name is as ointment [or perfume] poured forth, therefore do the virgins love thee. Draw me, we will run after thee: the King hath brought me into his chambers: we will be glad and rejoice in thee, we will remember thy love more than wine: the upright love thee ( Song of Solomon 1:2-4 ).

Now speaking of herself, she said,

I am black, yet beautiful, O ye daughters of Jerusalem, as the tents of Kedar, and as the curtains of Solomon. Look not upon me, because I am black ( Song of Solomon 1:5-6 ),

It doesn't mean that she was an Ethiopian, but she says,

because the sun hath looked upon me ( Song of Solomon 1:6 ):

She was well tanned.

my mother's children [my step brothers, actually] were angry with me; they made me the keeper of the vineyards; but my own vineyard [or my own complexion and so forth] I have not kept ( Song of Solomon 1:6 ).

I'm ruddy and tan and so forth.

Tell me, O thou whom my soul loveth, where thou feedest, where you make your flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions? ( Song of Solomon 1:7 )

So her opening declaration of having been brought into the king's chambers. Her addressing the daughters of Jerusalem concerning her own unkept condition because of being outside, keeping vineyards. Sort of a Cinderella kind of a story, the wicked sisters made her do all of the work and she wasn't able to keep up her own cosmetics and all.

Now the king responds to her.

If thou know not, O thou fairest among women ( Song of Solomon 1:8 ),

And the question is where you feed your flocks. "If you know not, O fairest among women,"

go thy way forth by the footsteps of the flock, and feed thy kids beside the shepherds' tents. I have compared thee, O my love, to a company of horses in Pharaoh's chariots. Thy cheeks are comely with rows of jewels, thy neck with chains of gold. We will make thee borders ( Song of Solomon 1:8-11 )

Now these are the daughters of Jerusalem, the virgins, the chorus responds. "We will make thee borders,"

of gold with studs of silver ( Song of Solomon 1:11 ).

And the bride responds.

While the King sits at his table, my spikenard sendeth forth the smell thereof. A bundle of myrrh is my wellbeloved unto me; he shall lie all night betwixt my breasts. My beloved is to me as a cluster of camphire in the vineyards of Engedi ( Song of Solomon 1:12-14 ).

The camphire trees or cypress trees, and just that beautiful smell of the out of doors and trees in blossom there in Engedi.

Behold, thou art fair, [the king answers] my love; behold, thou art fair; you have doves' eyes ( Song of Solomon 1:15 ).

She responds to him.

Behold, thou art fair, my beloved, yea, pleasant: also our bed is green. The beams of our house are cedar, and our rafters of fir ( Song of Solomon 1:16-17 ).

So you have the opening of this love drama, the Song of Songs of Solomon.

"

Dr. Constable's Expository Notes

A. The Beginning of Love 1:2-11

In the NASB, NIV, TNIV, NKJV and some other English translations, the translators identified the speakers in the various sections of the book. This is, of course, the interpretation of the translators, not part of the inspired text.

Dr. Constable's Expository Notes

The young lady felt embarrassed because she had very dark skin as a result of having to tend her family’s grapevines. Her skin was dark because of the sun’s rays, not primarily because of her race. Female courtiers did not work outdoors, so their skin was lighter than women’s who labored in the fields. The "tents of Kedar" (Song of Solomon 1:5) were apparently black and were probably animal skins. The Kedarites were nomads who lived in northern Arabia southeast of Damascus (cf. Genesis 25:13; Isaiah 60:7).

"These words express humility without abjectness." [Note: Delitzsch, p. 25.]

Her "own vineyard" (Song of Solomon 1:6) refers to her personal appearance. [Note: Carr, The Song . . ., p. 79.] "Vineyard" is a frequent metaphor for the physical body in this poem (cf. Song of Solomon 1:14; Song of Solomon 2:15 [twice]; Song of Solomon 7:12; Song of Solomon 8:11 [twice], 12)

"She had not had available to her the luxurious baths and toiletries or fashionable clothing of the court. There had been no opportunity for her to take care of her hair, skin, or hands according to the obvious courtly style." [Note: Patterson, p. 37.]

Dr. Constable's Expository Notes

2. The girl’s insecurity 1:5-8

Gill's Exposition of the Whole Bible

I [am] black, but comely, O ye daughters of Jerusalem,.... The church having obtained of Christ, what she wanted, turns to the daughters of Jerusalem, the same perhaps with the virgins her companions; they seem to be young converts, it may be not yet members of the visible church, but had a great respect for the church, and she for them; and who, though they had but a small knowledge of Christ her beloved, yet were desirous of knowing more of him, and seeking him with her; see Song of Solomon 3:9; to these she gives this character of herself, that she was "black" in herself x, through original sin and actual transgression; in her own eyes, through indwelling sin, and many infirmities, spots, and blemishes in life; and in the eyes of the world, through afflictions, persecutions, and reproaches, she was attended with, and so with them the offscouring of all things: "but comely" in the eyes of Christ, called by him his "fair one", the "fairest among women", and even "all fair", Song of Solomon 1:8; through his comeliness put upon her, the imputation of his righteousness to her; through the beauties of holiness upon her; through, the sanctifying influences of his Spirit; and, being in a church state, walking in Gospel order, attending to the commands and ordinances of Christ; and so beautiful as Tirzah, and comely as Jerusalem, Song of Solomon 6:4; and upon all accounts "desirable" y to Christ, and to his people, as the word may be rendered;

as the tents of Kedar, as the curtains of Solomon: each of which are thought by some to refer to both parts of her character; and suppose that the tents of Kedar, though they might look poor on the outside, were full of wealth and riches within; and Solomon's curtains, or hangings, might have an outward covering not so rich and beautiful as they were on the inside; but rather the blackness of the church is designed by the one, and her comeliness by the other. With respect to her blackness, she compares herself to the tents of Kedar, to the inhabitants of those tents, who were of a black or swarthy complexion; Kedar signifies the name of a man whose posterity these were, that dwelt in tents, even of Kedar the second son of Ishmael, and who inhabited some part of Arabia; and, their employment being to feed cattle, moved from place to place for the sake of pasturage, and so dwelt in tents, which they could easily remove, and hence were called Scenites; and the tents they dwelt in being made of hair cloth, and continually exposed to the sun and rain, were very black, and yet a number of them made a fine appearance, as Dr. Shaw relates z; though black, yet were beautiful to behold; he says,

"the Bedouin Arabs at this day live in tents called "hhymes", from the shelter which they afford the inhabitants; and "beet el shaar", that is, "houses of hair", from the materials or webs of goats' hair whereof they were made; and are such hair cloth as our coal sacks are made of; the colour of them is beautifully alluded to, Song of Solomon 1:5; for nothing certainly can afford (says he) a more delightful prospect than a large extensive plain, whether in its verdure, or even scorched up by the sunbeams, than, these movable habitations pitched in circles upon them; of which (he says) he has seen from three to three hundred.''

And for her comeliness the church compares herself either to the curtains of Solomon, about his bed, or to the rich hangings of tapestry in the several apartments of his palace, which no doubt were very costly and magnificent.

x "Nigra per naturam, formosa per gratiam", Aug. de Tempore, serm. 201. p. 354. tom. 10. "Fusca per culpam, decora per gratiam", Ambros. in Psal. cxviii. octon. 2. col. 881. tom. 2. y נאוה "optabilis", Pagninus, Montanus, Tigurine version, Mercerus; so Aben Ezra. z Travels, p. 220. edit. 2. See Plin. Nat. Hist. l. 6. c. 28. Solin. Polyhist. c. 46.

Henry's Complete Commentary on the Bible

      2 Let him kiss me with the kisses of his mouth: for thy love is better than wine.   3 Because of the savour of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee.   4 Draw me, we will run after thee: the king hath brought me into his chambers: we will be glad and rejoice in thee, we will remember thy love more than wine: the upright love thee.   5 I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.   6 Look not upon me, because I am black, because the sun hath looked upon me: my mother's children were angry with me; they made me the keeper of the vineyards; but mine own vineyard have I not kept.

      The spouse, in this dramatic poem, is here first introduced addressing herself to the bridegroom and then to the daughters of Jerusalem.

      I. To the bridegroom, not giving him any name or title, but beginning abruptly: Let him kiss me; like Mary Magdalen to the supposed gardener (John 20:15), If thou have borne him hence, meaning Christ, but not naming him. The heart has been before taken up with the thoughts of him, and to this relative those thoughts were the antecedent, that good matter which the heart was inditing, Psalms 45:1. Those that are full of Christ themselves are ready to think that others should be so too. Two things the spouse desires, and pleases herself with the thoughts of:--

      1. The bridegroom's friendship (Song of Solomon 1:2; Song of Solomon 1:2): "Let him kiss me with the kisses of his mouth, that is, be reconciled to me, and let me know that he is so; let me have the token of his favour." Thus the Old-Testament church desired Christ's manifesting himself in the flesh, to be no longer under the law as a schoolmaster, under a dispensation of bondage and terror, but to receive the communications of divine grace in the gospel, in which God is reconciling the world unto himself, binding up and healing what by the law was torn and smitten; as the mother kisses the child that she has chidden. "Let him no longer send to me, but come himself, no longer speak by angels and prophets, but let me have the word of his own mouth, those gracious words (Luke 4:22), which will be to me as the kisses of the mouth, sure tokens of reconciliation, as Esau's kissing Jacob was." All gospel duty is summed up in our kissing the Son (Psalms 2:12); so all gospel-grace is summed up in his kissing us, as the father of the prodigal kissed him when he returned a penitent. It is a kiss of peace. Kisses are opposed to wounds (Proverbs 27:6), so are the kisses of grace to the wounds of the law. Thus all true believers earnestly desire the manifestations of Christ's love to their souls; they desire no more to make them happy than the assurance of his favour, the lifting up of the light of his countenance upon them (Psalms 4:6; Psalms 4:7), and the knowledge of that love of his which surpasses knowledge; this is the one thing they desire, Psalms 27:4. They are ready to welcome the manifestation of Christ's love to their souls by his Spirit, and to return them in the humble professions of love to him and complacency in him, above all. The fruit of his lips is peace,Isaiah 57:19. "Let him give me ten thousand kisses whose very fruition makes me desire him more, and, whereas all other pleasures sour and wither by using, those of the Spirit become more delightful." So bishop Reynolds. She gives several reasons for this desire. (1.) Because of the great esteem she has for his love: Thy love is better than wine. Wine makes glad the heart, revives the drooping spirits, and exhilarates them, but gracious souls take more pleasure in loving Christ and being beloved of him, in the fruits and gifts of his love and in the pledges and assurances of it, than any man ever took in the most exquisite delights of sense, and it is more reviving to them than ever the richest cordial was to one ready to faint. Note, [1.] Christ's love is in itself, and in the account of all the saints, more valuable and desirable than the best entertainments this world can give. [2.] Those only may expect the kisses of Christ's mouth, and the comfortable tokens of his favour, who prefer his love before all delights of the children of men, who would rather forego those delights than forfeit his favour, and take more pleasure in spiritual joys than in any bodily refreshments whatsoever. Observe here the change of the person: Let him kiss me; there she speaks of him as absent, or as if she were afraid to speak to him; but, in the next words, she sees him near at hand, and therefore directs her speech to him: "Thy love, thy loves" (so the word is), "I so earnestly desire, because I highly esteem it." (2.) Because of the diffuse fragrancy of his love and the fruits of it (Song of Solomon 1:3; Song of Solomon 1:3): "Because of the savour of thy good ointment (the agreeableness and acceptableness of thy graces and comforts to all that rightly understand both them and themselves), thy name is as ointment poured forth, thou art so, and all that whereby thou hast made thyself known; thy very name is precious to all the saints; it is an ointment and perfume which rejoice the heart." The unfolding of Christ's name is as the opening of a box of precious ointment, which the room is filled with the odour of. The preaching of his gospel was the manifesting the savour of his knowledge in every place,2 Corinthians 2:14. The Spirit was the oil of gladness wherewith Christ was anointed (Hebrews 1:9), and all true believers have that unction (1 John 2:27), so that he is precious to them, and they to him and to one another. A good name is as precious ointment, but Christ's name is more fragrant than any other. Wisdom, like oil, makes the face to shine; but the Redeemer outshines, in beauty, all others. The name of Christ is not now like ointment sealed up, as it had been long (Ask not after my name, for it is secret), but like ointment poured forth, which denotes both the freeness and fulness of the communications of his grace by the gospel. (3.) Because of the general affection that all holy souls have to him: Therefore do the virgins love thee. It is Christ's love shed abroad in our hearts that draws them out in love to him; all that are pure from the corruptions of sin, that preserve the chastity of their own spirits, and are true to the vows by which they have devoted themselves to God, that not only suffer not their affections to be violated but cannot bear so much as to be solicited by the world and the flesh, those are the virgins that love Jesus Christ and follow him whithersoever he goes,Revelation 14:4. And, because Christ is the darling of all the pure in heart, let him be ours, and let our desires be towards him and towards the kisses of his mouth.

      2. The bridegroom's fellowship, Song of Solomon 1:4; Song of Solomon 1:4. Observe here,

      (1.) Her petition for divine grace: Draw me. This implies sense of distance from him, desire of union with him. "Draw me to thyself, draw me nearer, draw me home to thee." She had prayed that he would draw nigh to her (Song of Solomon 1:2; Song of Solomon 1:2); in order to that, she prays that he would draw her nigh to him. "Draw me, not only with the moral suasion which there is in the fragrancy of the good ointments, not only with the attractives of that name which is as ointment poured forth, but with supernatural grace, with the cords of a man and the bands of love," Hosea 11:4. Christ has told us that none come to him but such as the Father draws, John 6:44. We are not only weak, and cannot come of ourselves any further than we are helped, but we are naturally backward and averse to come, and therefore must pray for those influences and operations of the Spirit, by the power of which we are unwilling made willing, Psalms 110:3. "Draw me, else I move not; overpower the world and the flesh that would draw me from thee." We are not driven to Christ, but drawn in such a way as is agreeable to rational creatures.

      (2.) Her promise to improve that grace: Draw me, and then we will run after thee. See how the doctrine of special and effectual grace consists with our duty, and is a powerful engagement and encouragement to it, and yet reserves all the glory of all the good that is in us to God only. Observe, [1.] The flowing forth of the soul after Christ, and its ready compliance with him, are the effect of his grace; we could not run after him if he did not draw us, 2 Corinthians 3:5; Philippians 4:13. [2.] The grace which God gives us we must diligently improve. When Christ by his Spirit draws us we must with our spirits run after him. As God says, I will, and you shall (Ezekiel 36:27), so we must say, "Thou shalt and we will; thou shalt work in us both to will and to do, and therefore we will work out our own salvation" (Philippians 2:12; Philippians 2:13); not only we will walk, but we will run after thee, which denotes eagerness of desire, readiness of affection, vigour of pursuit, and swiftness of motion. When thou shalt enlarge my heart then I will run the way of thy commandments (Psalms 119:32); when thy right hand upholds me then my soul follows hard after thee (Psalms 63:8); when with lovingkindness to us he draws us (Jeremiah 31:3) we with lovingkindness to him must run after him, Isaiah 40:31. Observe the difference between the petition and the promise: "Draw me, and then we will run." When Christ pours out his Spirit upon the church in general, which is his bride, all the members of it do thence receive enlivening quickening influences, and are made to run to him with the more cheerfulness, Isaiah 55:5. Or, "Draw me" (says the believing soul) "and then I will not only follow thee myself as fast as I can, but will bring all mine along with me: We will run after thee, I and the virgins that love thee (Song of Solomon 1:3; Song of Solomon 1:3), I and all that I have any interest in or influence upon, I and my house (Joshua 24:15), I and the transgressors whom I will teach thy ways," Psalms 51:13. Those that put themselves forth, in compliance with divine grace, shall find that their zeal will provoke many,2 Corinthians 9:2. Those that are lively will be active; when Philip was drawn to Christ he drew Nathanael; and they will be exemplary, and so will win those that would not be won by the word.

      (3.) The immediate answer that was given to this prayer: The King has drawn me, has brought me into his chambers. It is not so much an answer fetched by faith from the world of Christ's grace as an answer fetched by experience from the workings of his grace. If we observe, as we ought, the returns of prayer, we may find that sometimes, while we are yet speaking, Christ hears, Isaiah 65:24. The bridegroom is a king; so much the more wonderful is his condescension in the invitations and entertainments that he gives us, and so much the greater reason have we to accept of them and to run after him. God is the King that has made the marriage-supper for his Son (Matthew 22:2) and brings in even the poor and the maimed, and even the most shy and bashful are compelled to come in. Those that are drawn to Christ are brought, not only into his courts, into his palaces (Psalms 45:15), but into his presence-chamber, where his secret is with them (John 14:21), and where they are safe in his pavilion, Psalms 27:5; Isaiah 26:20. Those that wait at wisdom's gates shall be made to come (so the word is) into her chambers; they shall be led into truth and comfort.

      (4.) The wonderful complacency which the spouse takes in the honour which the king put upon her. Being brought into the chamber, [1.] "We have what we would have. Our desires are crowned with unspeakable delights; all our griefs vanish, and we will be glad and rejoice. If a day in the courts, much more an hour in the chambers, is better than a thousand, than ten thousand, elsewhere." Those that are, through grace, brought into covenant and communion with God, have reason to go on their way rejoicing, as the eunuch (Acts 8:39), and that joy will enlarge our hearts and be our strength, Nehemiah 8:10. [2.] All our joy shall centre in God: "We will rejoice, not in the ointments, or the chambers, but in thee. It is God only that is our exceeding joy,Psalms 43:4. We have no joy but in Christ, and which we are indebted to him for." Gaudium in Domino--Joy in the Lord, was the ancient salutation, and Salus in Domino sempiterna--Eternal salvation in the Lord. [3.] "We will retain the relish and savour of this kindness of thine and never forget it: We will remember thy loves more than wine; no only thy love itself (Song of Solomon 1:2; Song of Solomon 1:2), but the very remembrance of it shall be more grateful to us than the strongest cordial to the spirits, or the most palatable liquor to the taste. We will remember to give thanks for thy love, and it shall make more durable impressions upon us than any thing in this world."

      (5.) The communion which a gracious soul has with all the saints in this communion with Christ. In the chambers to which we are brought we not only meet with him, but meet with one another (1 John 1:7); for the upright love thee; the congregation, the generation, of the upright love thee. Whatever others do, all that are Israelites indeed, and faithful to God, will love Jesus Christ. Whatever differences of apprehension and affection there may be among Christians in other things, this they are all agreed in, Jesus Christ is precious to them. The upright here are the same with the virgins,Song of Solomon 1:3; Song of Solomon 1:3. All that remember his love more than wine will love him with a superlative love. Nor is any love acceptable to Christ but the love of the upright, love in sincerity, Ephesians 6:24.

      II. To the daughters of Jerusalem,Song of Solomon 1:5; Song of Solomon 1:6. The church in general, being in distress, speaks to particular churches to guard them against the danger they were in of being offended at the church's sufferings, 1 Thessalonians 3:3. Or the believer speaks to those that were professors at large in the church, but not of it, or to weak Christians, babes in Christ, that labour under much ignorance, infirmity, and mistake, not perfectly instructed, and yet willing to be taught in the things of God. She observed these by-standers look disdainfully upon her because of her blackness, in respect both of sins and sufferings, upon the account of which they though she had little reason to expect the kisses she wished for (Song of Solomon 1:2; Song of Solomon 1:2) or to expect that they should join with her in her joys, Song of Solomon 1:4; Song of Solomon 1:4. She therefore endeavors to remove this offence; she owns she is black. Guilt blackens; the heresies, scandals, and offences, that happen in the church, make her black; and the best saints have their failings. Sorrow blackens; that seems to be especially meant; the church is often in a low condition, mean, and poor, and in appearance despicable, her beauty sullied and her face foul with weeping; she is in mourning weeds, clothed with sackcloth, as the Nazarites that had become blacker than a coal,Lamentations 4:8. Now, to take off this offence,

      1. She asserts her own comeliness notwithstanding (Song of Solomon 1:5; Song of Solomon 1:5): I am black, but comely, black as the tents of Kedar, in which the shepherds lived, which were very coarse, and never whitened, weather-beaten and discoloured by long use, but comely as the curtains of Solomon, the furniture of whose rooms, no doubt, was sumptuous and rich, in proportion to the stateliness of his houses. The church is sometimes black with persecution, but comely in patience, constancy, and consolation, and never the less amiable in the eyes of Christ, black in the account of men, but comely in God's esteem, black in some that are a scandal to her, but comely in others that are sincere and are an honour to her. True believers are black in themselves, but comely in Christ, with the comeliness that he puts upon them, black outwardly, for the world knows them not, but all glorious within,Psalms 45:13. St. Paul was weak, and yet strong,2 Corinthians 12:10. And so the church is black and yet comely; a believer is a sinner and yet a saint; his own righteousnesses are as filthy rags, but he is clothed with the robe of Christ's righteousness. The Chaldee Paraphrase applies it to the people of Israel's blackness when they made the golden calf and their comeliness when they repented of it.

      2. She gives an account how she came to be so black. The blackness was not natural, but contracted, and was owing to the hard usage that had been given her: Look not upon me so scornfully because I am black. We must take heed with what eye we look upon the church, especially when she is in black. Thou shouldst not have looked upon the day of thy brother, the day of his affliction, Obadiah 1:12. Be not offended; for,

      (1.) I am black by reason of my sufferings: The sun has looked upon me. She was fair and comely; whiteness was her proper colour; but she got this blackness by the burden and heat of the day, which she was forced to bear. She was sun-burnt, scorched with tribulation and persecution (Matthew 13:6; Matthew 13:21); and the greatest beauties, if exposed to the weather, are soonest tanned. Observe how she mitigates her troubles; she does not say, as Jacob (Genesis 31:40), In the day the drought consumed me, but, The sun has looked upon me; for it becomes not God's suffering people to make the worst of their sufferings. But what was the matter? [1.] She fell under the displeasure of those of her own house: My mother's children were angry with me. She was in perils by false brethren; her foes were those of her own house (Matthew 10:36), brethren by nature as men, by profession as members of the same sacred corporation, the children of the church her mother, but not of God her Father; they were angry with her. The Samaritans, who claimed kindred to the Jews, were vexed at any thing that tended to the prosperity of Jerusalem, Nehemiah 2:10. Note, It is no new thing for the people of God to fall under the anger of their own mother's children. It was thou, a man, my equal,Psalms 55:12; Psalms 55:13. This makes the trouble the more irksome and grievous; from such it is taken unkindly, and the anger of such is implacable. A brother offended is hard to be won. [2.] They dealt very hardly with her: They made me the keeper of the vineyards, that is, First, "They seduced me to sin, drew me into false worships, to serve their gods, which was like dressing the vineyards, keeping the vine of Sodom; and they would not let me keep my own vineyard, serve my own God, and observe those pure worships which he gave me in charge, and which I do and ever will own for mine." These are grievances which good people complain most of in a time of persecution, that their consciences are forced, and that those who rule them with rigour say to their souls, Bow down, that we may go over,Isaiah 51:23. Or, Secondly, "They brought me into trouble, imposed that upon me which was toilsome, and burdensome, and very disgraceful." Keeping the vineyards was base servile work, and very laborious, Isaiah 61:5. Her mother's children made her the drudge of the family. Cursed be their anger, for it was fierce, and their wrath, for it was cruel. The spouse of Christ has met with a great deal of hard usage.

      (2.) "My sufferings are such as I have deserved; for my own vineyard have I not kept. How unrighteous soever my brethren are in persecuting me, God is righteous in permitting them to do so. I am justly made a slavish keeper of men's vineyards, because I have been a careless keeper of the vineyards God has entrusted me with." Slothful servants of God are justly made to serve their enemies, that they may know his service, and the service of the kings of the countries,2 Chronicles 12:8; Deuteronomy 28:47; Deuteronomy 28:48; Ezekiel 20:23; Ezekiel 20:24. "Think not the worse of the ways of God for my sufferings, for I smart for my own folly." Note, When God's people are oppressed and persecuted it becomes them to acknowledge their own sin to be the procuring cause of their troubles, especially their carelessness in keeping their vineyards, so that it has been like the field of the slothful.