Verse-by-Verse Bible Commentary
Psalms 149:3

Clarke's Commentary

Verse Psalms 149:3. Let them praise his name in the dance — במחול bemachol, with the pipe, or some kind of wind music, classed here with תף toph, the tabor or drum, and כנור kinnor, the harp. " מחול machol," says Parkhurst, "some fistular wind-instrument of music, with holes, as a flute, pipe, or fife, from חל chal, to make a hole or opening." I know no place in the Bible where מחול machol and מחלת machalath mean dance of any kind; they constantly signify some kind of pipe.

Bridgeway Bible Commentary

Psalms 147-150 Praise the Lord

God’s people should praise him constantly for his merciful and loving care: his care over them in particular (147:1-2), his care over those who sorrow (3), his care over all his creation (4), and his special care for the downtrodden (5-6). God delights to provide for the physical needs of his creatures (7-9). But of all his creatures, those he delights in most are those who humbly trust in his steadfast love (10-11). That is why he delights in Israel above other nations. He protects his people and gives them food to enjoy (12-14). By sending bitterly cold weather he toughens them to endure hardship; by sending pleasant weather he reminds them that he is still caring for them (15-18). Above all, he has given them his word. Through this word they can know him better and as a result bring him further joy (19-20).
All creation displays the wonders of God and so brings praise to him. From the angelic beings to the beasts of the earth, praise goes up to him. From the farthest regions of outer space to the depths of the sea, his name is praised (148:1-10). Human beings in particular should praise him. Without distinction of age or rank, the people of the world should exalt God. They should praise him not only because he is the sovereign Lord of the universe, but also because through Israel he has made himself known to them (11-14).
As the people of Israel gather to worship, they have special cause to praise God. Besides being the one who created them, he is the one who rules over them. He is their king (149:1-3). In addition, they are God’s representatives in promoting his rule throughout the world. Therefore, salvation from attackers and victory over enemies are a cause for praise to God and national celebration (4-5). But if God’s rule is to be established in the world, the rebels must first be punished (6-9).
The final psalm forms a climax to the whole book. Worshippers at the temple join with angels in the heavens to praise God for the greatness of his person and his deeds (150:1-2). In every way possible people everywhere should praise God (3-6).

Coffman's Commentaries on the Bible

"Praise ye Jehovah. Sing unto Jehovah a new song, And his praise in the assembly of the saints. Let Israel rejoice in him that made him: Let the children of Zion be joyful in their King. Let them praise his name in the dance: Let them sing praise unto him with timbrel and harp. For Jehovah taketh pleasure in his people: He will beautify the meek with salvation."

"Many interpreters understand the closing verses of this psalm as eschatalogical rather than historical. However, the first four verses are clearly related to a present reality of God's deliverance."Wycliffe Old Testament Commentary, Old Testament, p. 551.

"The children of Zion" This means the "children of Jerusalem," but depending upon the time when the psalm was written, or possibly adapted to the post-exilic period, it might have been a term developed later than the origin of the psalm.

"Praise his name in the dance,… timbrel… harp" "Dancing to the accompaniment of timbrel and lyre (harp) was characteristic of the period of the exodus and the Judges (Exodus 15:20; Judges 11:34)."The Layman's Bible Commentary, Vol. 9, p. 191. That points not to post-exilic times, but to the period of Joshua and the conquest of Canaan.

"Timbrel" "The mention of percussive instruments means that the psalm has overtones of the martial."H. C. Leupold, p. 1000. Here again, the military assault upon Canaan is suggested rather than any event after the captivity. God did not send Israel back to Jerusalem with any kind of a military commission.

"Jehovah taketh pleasure in his people" This may not appropriately be referred to the post-exilic period. Any thought of such a thing is absolutely forbidden by the prophet Malachi. The reference here is to that vigorous generation who crossed the Jordan on dry ground when the river was at flood stage and who captured Jericho.

Barnes' Notes on the Whole Bible

Let them praise his name in the dance - Margin, with the pipe. The Hebrew word here - מחול mâchôl - is rendered dancing in Psalms 30:11; dance, as here, Psalms 150:4 (where also the margin has pipe); Jeremiah 31:13; Lamentations 5:15; dances, Jeremiah 31:4. It does not elsewhere occur. On the verb חול chûl, see Psalms 10:5, note; Psalms 51:5, note. Here it cannot be improper to regard it as referring to that measured tread, or solemn movement which sometimes constituted a part of worship: 2 Samuel 6:14. Such a movement cannot be proved to be wrong in worship; whether it is wise or expedient is a different matter. Customs in worship change as the customs of a people change; and that might be very proper in one stage of society, or in one period of the world, which, though not in itself wrong, might be very unadvisable in another. There was much in the Hebrew mode of worship which cannot be transferred to the forms of Christian worship without an obvious incongruity and disadvantage; and because a thing has been done, and is not in itself wrong, we should not infer that it should always be done, or that it would be always best. If people like the Shakers dance in worship, they have an undoubted right to do so, and it may be the most edifying mode of worship for them with their low notions of religion; let not others ridicule them; nor let others go to see them as they would any other “outr’e” performance from idle curiosity. Such absurdities might soon die away if they were not kept alive by the notice which they attract, and by the foolish curiosity of wiser people. There are some things which are more certain to come to an end by neglect than they could by sober argument; some things which live merely because they are ridiculed, and because they who practice them are exalted into conspicuity by their own folly, and by the idea that they are martyrs.

Let them sing praises unto him with the timbrel and harp - On these instruments, see the notes at Isaiah 5:12; notes at Job 21:12; notes at Psalms 68:25; notes at Psalms 81:2.

Smith's Bible Commentary

Psalms 149:1-9

Praise the LORD. Sing unto the LORD a new song, and his praise in the congregation of the saints. Let Israel rejoice in him that made him: let the children of Zion be joyful in their King. Let them praise his name in the dance: let them sing praises unto him with the timbrel and the harp. For the LORD takes pleasure in his people: he will beautify the meek with salvation. Let the saints be joyful in glory: and let them sing aloud upon their beds. Let the high praises of God be in their mouth, and a two-edged sword in their hand; To execute the vengeance upon the heathen, and punishments upon the people; To bind their kings with chains, and their nobles with fetters of iron; To execute upon them the judgment written: this honor have all his saints. Praise ye the LORD ( Psalms 149:1-9 ).

Now here he mentions of the praising of the Lord in song, in dance, with the timbrel and the harp.

I think that many times our forms of worship get rather stilted and stereotyped. I think that it would be fine to have variety in our worship and praise. The Jewish people, again, are very exuberant people. It's such a thrill to go down on Friday evening and watch the young men come down from the upper part of the city from their school. And come down in their dances before the Western Wall on the beginning of the Sabbath as they hail the coming in of the Sabbath day. To see them in their worship and their praise, to hear their songs, their chants. And to see them as they praise the Lord in the song and as they praise the Lord in the dance.

Now, I am not really advocating some things that I have seen passed off as praise unto the Lord. I do not feel that our praise of the Lord should ever be such that it draws attention unto ourselves. And I have seen many people supposedly praising the Lord, but really they were putting on quite an exhibition that drew a lot of attention to them. And to that I am unalterably opposed. I do not feel that we should ever draw attention to ourselves in our worship and praise of God. I don't think that we should sing in a weird way that causes people to turn, "Who's singing that obbligato?" or whatever, you know. Because it takes the attention off the music and onto a person who may have a great operatic voice and something. And you may be a frustrated opera star, but when you're singing with the congregation, you ought to seek to have your voice blend with that of the congregation rather than drawing attention to yourself.

And in our praises unto the Lord, we should take care that our praises are such that they do not draw attention to me, because then what value... then people are looking at me. "Oh, you see how he can dance? Oh, look how he plays the tambourine, you know. Oh, you know, isn't he clever?" And the attention then is drawn to the person and not to God. So then the whole effect is negated if I'm really seeking to bring people into a praise and worship of God. And yet, I think that there, you know... I think that we... I think that there's a balance and we need to find this beautiful balance somewhere. I think there is a place for the dance. I think there's a place for the expression of praise to God with timbrels and tambourines and all. I love the Jewish folk dances, and I think that they can be very expressive in their praises unto the Lord. I love the exuberance of them and all. But yet, again, maintaining that balance so that as I am praising the Lord, I don't do it in such a way that it draws a lot of attention to me. That I just sort of blend in harmony my praises as those of God's people. And there's probably, I don't think that we are in the middle. I think that we are probably a little on the stilted side, and we could perhaps move a little bit more towards a more meaningful kind of a praise. I'm open to the worship of God in other than just sitting and singing choruses or in the forms that we've followed. And yet, as I say, I surely don't... I'd rather be on this side than on the other side of the balance. And that's probably my problem. "

Dr. Constable's Expository Notes

1. A call to rejoice in the Lord 149:1-3

The psalmist exhorted the Israelites to praise God enthusiastically and wholeheartedly. Their praise should be spontaneous and fresh, the connotations of a "new song" (cf. Psalms 33:3; Psalms 40:3; Psalms 96:1; Psalms 98:1; Psalms 144:9). They should also praise Him publicly, in company with the other godly (Heb. hasidim) in the nation, because He had done something new for them. He had restored them and given them hope of final eschatological victory (cf. Psalms 149:6-9; Revelation 14:3). In common with Psalms 148 (especially Psalms 149:14), this one also uses several synonyms to describe the Israelites. The nation should remember its Maker, who formed the family of Abraham into a nation at the Exodus. Dancing and musical instruments were fitting accompaniments for such joyful celebration.

Dr. Constable's Expository Notes

Psalms 149

The unknown writer called on Israel to praise God, who saves the submissive and punishes the nations that oppose Him. Since this psalm shares the language and hope of the imprecatory psalms, many scholars consider it an eschatological hymn. [Note: E.g., Kidner, Psalms 73-150, p. 489; VanGemeren, p. 875; and L. Allen, pp. 319-20.] Like the previous psalm, this one also opens and closes with a call to worship: "Praise the LORD."

Gill's Exposition of the Whole Bible

Let them praise his name in the dance,.... In a chorus of saints, joining together in their expressions of joy, by words and gestures; an ancient practice that went along with singing praises,

Exodus 15:20; or rather, "with the pipe" k, as some render it; a musical instrument used in former times in the worship of God, in this part of it, praising his name, with those that follow;

let them sing praises unto him with the timbrel and harp; the former of these was a vessel of brass, a drum or tabret, on which they beat, perhaps like one of our kettle drums; the other was a stringed instrument of music much used, and in playing on which David was very skilful: the music of these was typical of the spiritual melody made in the heart to the Lord in singing his praises, to which there are allusions in Gospel times; though the instruments themselves are now laid aside, being only suited to the church in her infant state, when under tutors and governors; see Psalms 68:25.

k במחול "cum tibia", Tigurine version, Junius & Tremellius, Piscator, Amama.

Henry's Complete Commentary on the Bible

      1 Praise ye the LORD. Sing unto the LORD a new song, and his praise in the congregation of saints.   2 Let Israel rejoice in him that made him: let the children of Zion be joyful in their King.   3 Let them praise his name in the dance: let them sing praises unto him with the timbrel and harp.   4 For the LORD taketh pleasure in his people: he will beautify the meek with salvation.   5 Let the saints be joyful in glory: let them sing aloud upon their beds.

      We have here,

      I. The calls given to God's Israel to praise. All his works were, in the foregoing psalm, excited to praise him; but here his saints in a particular manner are required to bless him. Observe then, 1. Who are called upon to praise God. Israel in general, the body of the church (Psalms 149:2; Psalms 149:2), the children of Zion particularly, the inhabitants of that holy hill, who are nearer to God than other Israelites; those that have the word and ordinances of God near to them, that are not required to travel far to them, are justly expected to do more in praising God than others. All true Christians may call themselves the children of Zion, for in faith and hope we have come unto Mount Zion,Hebrews 12:22. The saints must praise God, saints in profession, saints in power, for this is the intention of their sanctification; they are devoted to the glory of God, and renewed by the grace of God, that they may be unto him for a name and a praise. 2. What must be the principle of this praise, and that is holy joy in God: Let Israel rejoice, and the children of Zion be joyful, and the saints be joyful in glory. Our praises of God should flow from a heart filled with delight and triumph in God's attributes, and our relation to him. Much of the power of godliness in the heart consists in making God our chief joy and solacing ourselves in him; and our faith in Christ is described by our rejoicing in him. We then give honour to God when we take pleasure in him. We must be joyful in glory, that is, in him as our glory, and in the interest we have in him; and let us look upon it as our glory to be of those that rejoice in God. 3. What must be the expressions of this praise. We must by all proper ways show forth the praises of God: Sing to the Lord. We must entertain ourselves, and proclaim his name, by singing praises to him (Psalms 149:3; Psalms 149:3), singing aloud (Psalms 149:5; Psalms 149:5), for we should sing psalms with all our heart, as those that are not only not ashamed of it, but are enlarged in it. We must sing a new song, newly composed upon every special occasion, sing with new affections, which make the song new, though the words have been used before, and keep them from growing threadbare. Let God be praised in the dance with timbrel and harp, according to the usage of the Old-Testament church very early (Exodus 15:20), where we find God praised with timbrels and dances. Those who from this urge the use of music in religious worship must by the same rule introduce dancing, for they went together, as in David's dancing before the ark, and Judges 21:21. But, whereas many scriptures in the New Testament keep up singing as a gospel-ordinance, none provide for the keeping up of music and dancing; the gospel-canon for psalmody is to sing with the spirit and with the understanding. 4. What opportunities must be taken for praising God, none must be let slip, but particularly, (1.) We must praise God in public, in the solemn assembly (Psalms 149:1; Psalms 149:1), in the congregation of saints. The more the better; it is the more like heaven. Thus God's name must be owned before the world; thus the service must have a solemnity put upon it, and we must mutually excite one another to it. The principle, end, and design of our coming together in religious assemblies is that we may join together in praising God. Other parts of the service must be in order to this. (2.) We must praise him in private. Let the saints be so transported with their joy in God as to sing aloud upon their beds, when they awake in the night, full of the praises of God, as David, Psalms 119:62. When God's Israel are brought to a quiet settlement, let them enjoy that, with thankfulness to God; much more may true believers, that have entered into God's rest, and find repose in Jesus Christ, sing aloud for joy of that. Upon their sick-beds, their death-beds, let them sing the praises of their God.

      II. The cause given to God's Israel for praise. Consider, 1. God's doings for them. They have reason to rejoice inn God, to devote themselves to his honour and employ themselves in his service; for it is he that made them. He gave us our being as men, and we have reason to praise him for that, for it is a noble and excellent being. He gave Israel their being as a people, as a church, made them what they were, so very different from other nations. Let that people therefore praise him, for he formed them for himself, on purpose that they might show forth his praise,Isaiah 43:21. Let Israel rejoice in his Makers (so it is in the original); for God said, Let us make man; and in this, some think, is the mystery of the Trinity. 2. God's dominion over them. This follows upon the former: if he made them, he is their King; he that gave being no doubt may give law; and this ought to be the matter of our joy and praise that we are under the conduct and protection of such a wise and powerful King. Rejoice greatly, O daughter of Zion! for behold thy king comes, the king Messiah, whom God has set upon his holy hill of Zion; let all the children of Zion be joyful in him, and go forth to meet him with their hosannas, Zechariah 9:9. 3. God's delight in them. He is a king that rules by love, and therefore to be praised; for the Lord takes pleasure in his people, in their services, in their prosperity, in communion with them, and in the communications of his favour to them. He that is infinitely happy in the enjoyment of himself, and to whose felicity no accession can be made, yet graciously condescends to take pleasure in his people,Psalms 147:11. 4. God's designs concerning them. Besides the present complacency he has in them, he has prepared for their future glory: He will beautify the meek, the humble, and lowly, and contrite in heart, that tremble at his word and submit to it, that are patient under their afflictions and show all meekness towards all men. These men vilify and asperse, but God will justify them, and wipe off their reproach; nay, he will beautify them; they shall appear not only clear, but comely, before all the world, with the comeliness that he puts upon them. He will beautify them with salvation, with temporal salvations (when God works remarkable deliverances for his people those that had been among the pots become as the wings of a dove covered with silver,Psalms 68:13), but especially with eternal salvation. The righteous shall be beautified in that day when they shine forth as the sun. In the hopes of this, let them now, in the darkest day, sing a new song.