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ANNE BRACEGIRDLE ( c. 1674-1748), English actress, is said to have been placed under the care of Thomas Betterton and his wife, and to have first appeared on the stage as the page in The Orphan at its first performance at Dorset Garden in 1680. She was Lucia in Shadwell's Squire of Alsatia at the Theatre Royal in 1688, and played similar parts until, in 1693, as Araminta in The Old Bachelor, she made her firs t appearance in a comedy by Congreve, with whose works and life her name is most closely connected. In 1695 she went with Betterton and the other seceders to Lincoln's Inn Fields, where, on its opening with Congreve's Love for Love, she played Angelica. This part, and those of Belinda in Vanbrugh's Provoked Wife, and Almira in Congreve's Mourning Bride, were among her best impersonations, but she also played the heroines of some of Nicholas Rowe's tragedies, and acted in the contemporary versions of Shakespeare's plays. In 5705 she followed Betterton to the Haymarket, where she found a serious competitor in Mrs Oldfield, then first coming into public favour. The story runs that it was left for the audience to determine which was the better comedy actress, the test being the part of Mrs Brittle in Betterton's Amorous Widow, which was played alternately by the two rivals on successive nights. When the popular vote was given in favour of Mrs Oldfield, Mrs Bracegirdle quitted the stage, making only one reappearance at Betterton's benefit in 1709. Her private life was the subject of much discussion. Colley Cibber remarks that she had the merit of "not being unguarded in her private character," while Macaulay does not hesitate to call her "a cold, vain and interested coquette, who perfectly understood how much the influence of her charms was increased by the fame of a severity which cost her nothing." She was certainly the object of the adoration of many men, From La Grande Encyclopedie. FIG. 1. - Egyptian Bracelet, Louvre.

In 2 Sam. i. 10 the first word denotes the royal ornament which the Amalekite took from the arm of the dead Saul, and brought with the other regalia to David. There is little question that this was such a distinguishing band of jewelled metal as we still find worn as a mark of royalty from the Tigris to the Ganges. The Egyptian kings are represented with armlets, which were also worn by the Egyptian women. These, however, are not jewelled, but of plain or enamelled metal, as was in all likelihood the case among the Hebrews.

In modern times the most celebrated armlets are those which form part of the regalia of the Persian kings and formerly belonged to the Mogul emperors of India, From La Grande Encyclopedic. being part of the spoil carried to Persia from Delhi by Nadir Shah in 1739. These ornaments are of dazzling splendour, and the jewels in them are of such large size and immense value that the pair have been reckoned to be worth a million sterling. The principal stone of the right armlet is famous in the East under the name of the Darya-i-nur, " sea (or river) of light." It weighs 186 carats, and she was the innocent cause of the killing of the actor William Mountfort, whom Captain Hill and Lord Mohun regarded as a rival for her affections. During her lifetime she was suspected of being secretly married to Congreve, whose mistress she is also said to have been. He was at least always her intimate friend, and left her a legacy. Rightly or wrongly, her reputation for virtue was remarkably high, and Lord Halifax headed a subscription list of Boo guineas, presented to her as a tribute to her virtue. Her charity to the poor in Clare Market and around Drury Lane was conspicuous, "insomuch that she would not pass that neighbourhood without the thankful acclamations of people of all degrees." She died in 1748, and was buried in the cloisters of Westminster Abbey.

See Genest, History of the Stage; Colley Cibber, Apology (edited by Bellchambers); Egerton, Life of Anne Oldfield; Downes, Roscius Anglicanus.