Verse-by-Verse Bible Commentary
Song of Solomon 1:9

Clarke's Commentary

Verse 9. I have compared thee - to a company of horses — This may be translated, more literally, "I have compared thee lesusathi, to my mare, in the chariots or courses of Pharaoh;" and so the versions understood it. Mares, in preference to horses, were used both for riding and for chariots in the East. They are much swifter, endure more hardship, and will go longer without food, than either the stallion or the gelding. There is perhaps no brute creature in the world so beautiful as a fine well-bred horse or mare; and the finest woman in the universe, Helen, has been compared to a horse in a Thessalian chariot, by Theocritus. Idyl. xviii. ver. 28: -

Ὡδε και ἁ χρυσεα Ἑλενα διαφαινετ' εν ἡμιν,

Πιειρη, μεγαλη, ἁτ' ανεδραμεν ογμος αρουρᾳ,

Η καπῳ κυπαρισσος, η ἁρματι Θεσσαλος ἱππος.

"The golden Helen, tall and graceful, appears as distinguished among us as the furrow in the field, the cypress in the garden, or the Thessalian horse in the chariot."

This passage amply justifies the Hebrew bard, in the simile before us. See Jeremiah 6:2.

Bridgeway Bible Commentary

The lovers talk together (1:8-2:7)

In reply to the girl’s longing, the man invites her to come and join him in the fields (8). He praises her beauty and promises to give her the finest jewellery (9-11). The girl responds that her greatest joy is just to be in his presence and let her love flow out to him (12-14). After the man further praises the girl’s beauty (15), she expresses her desire to be with him in the fields again, where they can lie down together in the shade of the trees (16-17).
The girl regards herself as nothing special - just a country maiden, just a small wildflower in a large field (2:1). Yes, replies her lover, but she is the only flower in the field. Compared with her, all the other girls are brambles (2). And her lover, replies she, is like a tree that surpasses all the other trees of the forest. He protects, strengthens and refreshes her. His company is to her a feast of joy and love (3-6).
In view of the girl’s strong desire for her lover, a warning is given (in the form of an appeal to the easily excited young women of Jerusalem). The warning shows the danger of trying to stir up love when a person is not ready for it (7).

Coffman's Commentaries on the Bible

SOLOMON WOOS THE SHULAMITE WITHOUT RESPONSE

"I have compared thee, O my love, To a steed in Pharaoh's chariots. Thy cheeks are comely with plaits of hair, Thy neck with strings of jewels. We will make thee plaits of gold With studs of silver."

The big deal here is that Solomon will load the Shulamite down with expensive jewelry. His comparison of her to a horse (presumably a mare) hooked up to one of Pharaoh's chariots reveals the sensual nature of Solomon. Every woman, in his sight, was merely an animal, a real slick, beautifully groomed animal, of course. This writer cannot imagine any man who would take a thousand women to his bed as having any other view of the true value of womanhood.

Barnes' Notes on the Whole Bible

This and the next Song of Solomon 1:15-7 sections are regarded by ancient commentators (Jewish and Christian) as expressing “the love of espousals” Jeremiah 2:2 between the Holy One and His Church, first in the wilderness of the Exodus, and then in the wilderness of the world Ezekiel 20:35-36.

Song of Solomon 1:9

Or, to a mare of mine in the chariots of Pharaoh I liken thee, O my friend. (The last word is the feminine form of that rendered “friend” at Song of Solomon 5:16.) The comparison of the bride to a beautiful horse is singularly like one in Theocritus, and some have conjectured that the Greek poet, having read at Alexandria the Septuagint Version of the Song, may have borrowed these thoughts from it. If so, we have here the first instance of an influence of sacred on profane literature. The simile is especially appropriate on the lips, or from the pen, of Solomon, who first brought horses and chariots from Egypt 1 Kings 10:28-29. As applied to the bride it expresses the stately and imposing character of her beauty.

Song of Solomon 1:10, Song of Solomon 1:11

Rows ... borders - The same Hebrew word in both places; ornaments forming part of the bride’s head-dress, probably strings of beads or other ornaments descending on the cheeks. The introduction of “jewels” and “gold” in Song of Solomon 1:10 injures the sense and destroys the climax of Song of Solomon 1:11, which was spoken by a chorus (hence “we,” not “I,” as when the king speaks, Song of Solomon 1:9). They promise the bride ornaments more worthy and becoming than the rustic attire in which she has already such charms for the king: “Ornaments of gold will we make for thee with studs (or ‘points’) of silver.” The “studs” are little silver ornaments which it is proposed to affix to the golden (compare Proverbs 25:12), or substitute for the strung beads of the bride’s necklace.

Song of Solomon 1:12-14

The bride’s reply Song of Solomon 1:12 may mean, “While the king reclines at the banquet I anoint him with my costliest perfume, but he has for me a yet sweeter fragrance” Song of Solomon 1:13-14. According to Origen’s interpretation, the bride represents herself as anointing the king, like Mary John 12:3, with her most precious unguents.

Spikenard - An unguent of great esteem in the ancient world, retaining its Indian name in Hebrew, Greek and Latin. It is obtained from an Indian plant now called “jatamansi.”

Song of Solomon 1:13

Render: A bag of myrrh is my beloved to me, which lodgeth in my bosom.

Song of Solomon 1:14

Camphire - Rather, כפר kôpher,” from which “cyprus” is probably derived (in the margin misspelled “cypress “),the name by which the plant called by the Arabs “henna” was known to the Greeks and Romans. It is still much esteemed throughout the East for the fragrance of its flowers and the dye extracted from its leaves. Engedi was famous for its vines, and the henna may have been cultivated with the vines in the same enclosures.

Smith's Bible Commentary

Tonight we want to look at the Song of Songs which is Solomon's. By the title it indicates that Solomon felt that this was the finest of the one thousand and five songs that he wrote. This is the excellency of the songs that he has written. Of the thousand and five songs, this one is it as far as Solomon is concerned.

In Ecclesiastes, we had a theme: vanity of vanities. In this we have, song of songs. The vanity or the emptiness of the world apart from God. The emptiness of the world in achievement, any achievement that is apart from God. Now he speaks of the song of songs which is Solomon's and the song of songs is a song of love.

Now there are some people who consider the Song of Solomon no more than just an erotic, oriental love song and feel that it has no place in the scriptures. But others have found tremendous inspiration in the Song of Solomon by looking at a spiritual allegory, seeing it as a spiritual allegory. Now to the Jews, it became a spiritual allegory of God's special relationship to the nation Israel. As God is seen in the figure of Solomon the king, and Israel as the favorite choice wife, and as they express their love of each other, so God's expressions of His love for Israel and Israel's expressions of their love for God.

And of course, through a lot of the prophets we find the same theme as God addresses Israel as His wife. And God tells of His love, His deep love for His people. And the espousals of the youth. "When you first discover Me. Where is that love that we had in the beginning?" God said. "Why have you turned away from the love? Who has drawn you away?" And as Israel turned their hearts from God and began to worship Molech and Mammon and Baal and some of the gods of the Canaanites, God spoke out against it as having forsaken Me, your first love, the true love. And you've taken up with these other paramours that are going to leave you desolate. And so to the Jew it became a beautiful spiritual picture of the relationship of the nation Israel, the special relationship the nation Israel experienced with God.

To the church, because the church is often seen in the New Testament as the bride of Christ, it became a picture to the church of the bride of the church, her relationship to Jesus Christ, her bridegroom, her coming King who we look forward to. And so the spiritual allegories are then made applicable to Christ and His love for the church and the church's response to His love.

John Gill, one of the great Puritan preachers, preached to his congregation a hundred and twenty-two sermons out of the Song of Solomon. So for those that are looking for sermon material, seeking to find it in the spiritual allegories, there's just a lot of material here. He preached a hundred and twenty-two sermons out of this book. Bernard of Clairvaux preached sixty-two sermons to his congregation just out of chapter 1. So the book is filled with imagery and possible allegorical applications.

Now, I am not one who really goes into the mystic allegorical applications of the scripture. Though I do see here many beautiful allegories, and you can take the text and spiritualize upon them, that just hasn't been my method of ministry of taking a text and seeking to spiritualize the text. Because different people can see different things in an allegory. And even in the Song of Solomon, there have been various interpretations of the Song of Solomon.

The basic interpretation of the Song of Solomon is that this is a young Shulamite girl that Solomon has fallen deeply in love with. And she is in love with him. And he addresses himself to her declaring his love and declaring her beauty, and she responding to him. While the daughters of Jerusalem are there asking questions of the young girl concerning her love for him, asking Solomon of his love for her, and so the... Actually, again, it's a song, so you see it's set up in a dramatic kind of an opera. You have Solomon standing there singing in his rich baritone voice of his love for his bride. And she with her high soprano answering him and singing, "Come, my beloved into my garden and drink. Taste of its fruits," and so forth. And then you have the chorus over here, the women's chorus, the female chorus. And they every once in a while sing in, "Tell us of thy beloved. Where is he grazing his flocks and so forth at this time?" And they are interjecting.

Now there is another interpretation of the Song of Solomon, basic overall interpretation. And this one is followed in the Amplified Bible and suggested in the Amplified Bible. And that is, that here is the same beautiful young Shulamite girl that Solomon has fallen madly in love with. And he is seeking to make her a part of his harem, for Solomon had a harem second to none. And he is seeking by his wealth, by his grandeur, by all of the gifts and the wealth to cause her to become a part of his vast harem. Seeking to woo her and to seduce her. And she is brought in with the other virgins and she is telling them, they wonder why she isn't responding to his love and she is telling them that she has a true love, a shepherd. And she doesn't respond really to Solomon's love because her heart is after another, her shepherd lover who she longs for, who she seeks after.

And in the spiritual allegories to this other way of looking at the Song of Solomon, Solomon in this other allegory represents the world. The Shulamite woman, the Christian, and how the world is seeking to allure the Christian away from her love for her Shepherd, Jesus Christ. And she has this deep fervent commitment to her shepherd, even Jesus Christ, and cannot be allured by all of the wealth and the glory and the grandeur of Solomon as he seeks to seduce her and draw her into his harem and all.

And so this is another possible interpretation. But this is the problem, the basic problem of spiritualizing the text and seeing it in an allegorical sense, because as you go through the book, either one fits. But surely they are diametrically opposed to each other as far as an interpretation goes. And yet, you can see and you can read it so that either way it fits. Solomon is the one she loves and they are expressing their love for each other. Or, she is sort of rejecting the love of Solomon because of her true love for her shepherd lover.

The Song of songs, which is Solomon's ( Song of Solomon 1:1 ).

It begins with the first singer who is this young Shulamite, beautiful girl, and she sings.

Let him kiss me with the kisses of his mouth: for thy love is better than wine. Because of the savor of your good ointments [or your perfume] thy name is as ointment [or perfume] poured forth, therefore do the virgins love thee. Draw me, we will run after thee: the King hath brought me into his chambers: we will be glad and rejoice in thee, we will remember thy love more than wine: the upright love thee ( Song of Solomon 1:2-4 ).

Now speaking of herself, she said,

I am black, yet beautiful, O ye daughters of Jerusalem, as the tents of Kedar, and as the curtains of Solomon. Look not upon me, because I am black ( Song of Solomon 1:5-6 ),

It doesn't mean that she was an Ethiopian, but she says,

because the sun hath looked upon me ( Song of Solomon 1:6 ):

She was well tanned.

my mother's children [my step brothers, actually] were angry with me; they made me the keeper of the vineyards; but my own vineyard [or my own complexion and so forth] I have not kept ( Song of Solomon 1:6 ).

I'm ruddy and tan and so forth.

Tell me, O thou whom my soul loveth, where thou feedest, where you make your flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions? ( Song of Solomon 1:7 )

So her opening declaration of having been brought into the king's chambers. Her addressing the daughters of Jerusalem concerning her own unkept condition because of being outside, keeping vineyards. Sort of a Cinderella kind of a story, the wicked sisters made her do all of the work and she wasn't able to keep up her own cosmetics and all.

Now the king responds to her.

If thou know not, O thou fairest among women ( Song of Solomon 1:8 ),

And the question is where you feed your flocks. "If you know not, O fairest among women,"

go thy way forth by the footsteps of the flock, and feed thy kids beside the shepherds' tents. I have compared thee, O my love, to a company of horses in Pharaoh's chariots. Thy cheeks are comely with rows of jewels, thy neck with chains of gold. We will make thee borders ( Song of Solomon 1:8-11 )

Now these are the daughters of Jerusalem, the virgins, the chorus responds. "We will make thee borders,"

of gold with studs of silver ( Song of Solomon 1:11 ).

And the bride responds.

While the King sits at his table, my spikenard sendeth forth the smell thereof. A bundle of myrrh is my wellbeloved unto me; he shall lie all night betwixt my breasts. My beloved is to me as a cluster of camphire in the vineyards of Engedi ( Song of Solomon 1:12-14 ).

The camphire trees or cypress trees, and just that beautiful smell of the out of doors and trees in blossom there in Engedi.

Behold, thou art fair, [the king answers] my love; behold, thou art fair; you have doves' eyes ( Song of Solomon 1:15 ).

She responds to him.

Behold, thou art fair, my beloved, yea, pleasant: also our bed is green. The beams of our house are cedar, and our rafters of fir ( Song of Solomon 1:16-17 ).

So you have the opening of this love drama, the Song of Songs of Solomon.

"

Dr. Constable's Expository Notes

A. The Beginning of Love 1:2-11

In the NASB, NIV, TNIV, NKJV and some other English translations, the translators identified the speakers in the various sections of the book. This is, of course, the interpretation of the translators, not part of the inspired text.

Dr. Constable's Expository Notes

Here Solomon reassured his love. Stallions, not mares, pulled chariots. A mare among the best of Pharaoh’s stallions would have been desirable to every one of them. In Solomon’s day Egyptian horses were the best, as Arabian horses later were the best. [Note: Delitzsch, p. 33.]

"A passage from Egyptian literature demonstrates that mares were sometimes set loose in battle to allure and distract the pharaoh’s chariot-harnessed stallions." [Note: Parsons, p. 416.]

Solomon meant his love was a woman whom all the best men of his court would have pursued.

". . . the comparison of the female lover with a mare would first and foremost emphasize her nobility and her value." [Note: Hess, p. 64.]

"This is the ultimate in sex appeal!" [Note: Carr, The Song . . ., p. 83.]

Solomon’s praise would have bolstered his beloved’s confidence that he loved her. This encouragement is often necessary and is always appropriate in such a relationship.

"We have forgotten what a thing of beauty a horse can be when compared to other animals. We are also unaware what valuable creatures they were in the ancient world. They were beautiful in themselves, and the ancient royal courts insisted on brilliantly caparisoning [adorning with rich trappings] the ones that pulled the king’s chariot. The beloved’s jewelry, earrings, and necklaces make him think of such." [Note: Kinlaw, p. 1219.]

"Such a comparison was not at all unusual in ancient literature. Theocritus, for example, compared ’the rose complexioned Helen’ to a ’Thessalian steed.’ For Solomon the horse was more a cherished companion than a beast of burden. His praise of Shulamith recognized her beauty and her graceful movements." [Note: Patterson, p. 39.]

Dr. Constable's Expository Notes

3. Solomon’s praise 1:9-11

Gill's Exposition of the Whole Bible

I have compared thee, O my love,.... The church having taken the direction of Christ, had now found him, and was with him; and when for her encouragement and comfort he greets her as his love, an appellation very usual among lovers; and in the chastest sense between husband and wife; the church was Christ's love, being both the object and subject of it; to whom he had showed love, and whose love was shed abroad in her heart; or "my friend" t, another name used among lovers; there is a mutual friendship between Christ and his people; they are Christ's friends, and he is theirs, Song of Solomon 5:1. The Septuagint render it "my neighbour", whom Christ loves as himself; and they dwell near each other; he dwells in them, and they in him, John 6:56; and here are compared by him

to a company of horses in Pharaoh's chariots; or "I have likened thee", or reckoned thee like u; formed such an image of thee in my mind, with regard to some peculiar excellencies in her which agreed therewith: or to "my mare" w, as some translate the word, which ran in one of his chariots, called Pharaoh's chariot; because perhaps it was made a present of to him by Pharaoh king of Egypt, his father in law, for which he had a particular regard, as Alexander for his Bucephalus; nor is such a comparison of a woman a disagreeable one, since, as Marckius observes, many women have had their names from the horse, because of some celebrated excellency in them x; and Theocritus y compares Queen Helena to a Thessalian horse in a chariot; and it is thought he took the hint from this song, as admiring it; so, by others z, persons are compared to mares for their beautiful form. Christ's church and people be compared to "the horse" for their strength, majesty, and comeliness; they are strong in Christ, and in his grace, and of an undaunted courage in bearing hardships, reproaches, and persecutions for his sake, and in fighting the Lord's battles; and are stately and majestic, especially a company of them in Gospel order, Song of Solomon 6:4; and are very comely and beautiful in their trappings, clothed with the righteousness of Christ, and the graces of his Spirit; and to a "company" of them, a collection of goodly ones, as Egyptian ones, reckoned the best; and those in Pharaoh's chariot best of all; choice, costly, well fed, and well taken care of; and not wild and loose, but coupled and joined together in a chariot, all drawing one way. Christ's church and people are a choice and select company, distinguished from others by the grace of God; cost a great price, the blood of Christ; are well fed with the finest of the wheat; and are under the care both of angels and Gospel ministers; and look very beautiful as under the yoke of Christ, and joined together in Gospel bonds, being of the same faith and judgment; drawing one way, striving together for the faith of the Gospel, and endeavouring to keep the unity of the spirit in the bond of peace.

t רעיתי "amica mea", Pagninus, Montanus, Tigurine version, Mercerus, Michaelis. u דמיתיך "similem te judico", Tigurine version. w לססתי τη ιππω μου, Sept. "equae meae", Pagninus, Montanus, Gussetius, p. 551. so Aben Ezra, Syriac and Arabic versions; "equabus", Piscator. x As Hippo, Hippe, Hippia, Hippodomia, Hippothoe, Hipponoe, Mercippe, Alcippe, Archippe. y Idyll. 18. v. 29. z ιππος εγω καλη, Theognis Sententiae, v. 257. η δ'ιππου-ειδο

αριστη, Phocylides. So by Plato in Hippias Major, p. 1250. & Horat. Carmin. l. 3. Ode 11. v. 9.

Henry's Complete Commentary on the Bible

      7 Tell me, O thou whom my soul loveth, where thou feedest, where thou makest thy flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions?   8 If thou know not, O thou fairest among women, go thy way forth by the footsteps of the flock, and feed thy kids beside the shepherds' tents.   9 I have compared thee, O my love, to a company of horses in Pharaoh's chariots.   10 Thy cheeks are comely with rows of jewels, thy neck with chains of gold.   11 We will make thee borders of gold with studs of silver.

      Here is, I. The humble petition which the spouse presents to her beloved, the shepherdess to the shepherd, the church and every believer to Christ, for a more free and intimate communion with him. She turns from the daughters of Jerusalem, to whom she had complained both of her sins and of her troubles, and looks up to heaven for relief and succour against both, Song of Solomon 1:7; Song of Solomon 1:7. Here observe, 1. The title she gives to Christ: O thou whom my soul loveth. Note, It is the undoubted character of all true believers that their souls love Jesus Christ, which intimates both the sincerity and the strength of their love; they love him with all their hearts; and those that do so may come to him boldly and may humbly plead it with him. 2. The opinion she has of him as the good shepherd of the sheep; she doubts not but he feeds his flock and makes them rest at noon. Jesus Christ graciously provides both repast and repose for his sheep; they are not starved, but well fed, not scattered upon the mountains, but fed together, fed in green pastures and in the hot time of the day led by the still waters and made to lie down under a cool refreshing shade. Is it with God's people a noon-time of outward troubles, inward conflicts? Christ has rest for them; he carries them in his arms,Isaiah 40:11. 3. Her request to him that she might be admitted into his society: Tell me where thou feedest. Those that would be told, that would be taught, what they are concerned to know and do, must apply to Jesus Christ, and beg of him to teach them, to tell them. "Tell me where to find thee, where I may have conversation with thee, where thou feedest and tendest thy flock, that there I may have some of my company." Observe, by the way, We should not, in love to our friends and their company, tempt them or urge them to neglect their business, but desire such an enjoyment of them as will consist with it, and rather, if we can, to join with them in their business and help to forward it. "Tell me where thou feedest, and there I will sit with thee, walk with thee, feed my flocks with thine, and not hinder thee nor myself, but bring my work with me." Note, Those whose souls love Jesus Christ earnestly desire to have communion with him, by his word in which he speaks to us and by prayer in which we speak to him, and to share in the privileges of his flock; and we may learn from the care he takes of his church, to provide convenient food and rest for it, how to take care of our own souls, which are our charge. 4. The plea she uses for the enforcing of this request: "For why should I be as one that turns aside by (or after) the flocks of thy companions, that pretend to be so, but are really thy competitors, and rivals with thee." Note, Turning aside from Christ after other lovers is that which gracious souls dread, and deprecate, more than any thing else. "Thou wouldst not have me to turn aside, no, nor to be as one that turns aside; tell me then, O tell me, where I may be near thee, and I will never leave thee." (1.) "Why should I lie under suspicion, and look as if I belonged to some other and not to thee? Why should I be thought by the flocks of our companions to be a deserter from thee, and a retainer to some other shepherd?" Good Christians will be afraid of giving any occasion to those about them to question their faith in Christ and their love to him; they would not do any thing that looks like unconcernedness about their souls; or uncharitableness towards their brethren, or that savours of indifference and disaffection to holy ordinances; and we should pray to God to direct us into and keep us in the way of our duty, that we may not so much as seem to come short,Hebrews 4:1. (2.) "Why should I lie in temptation to turn aside, as I do while I am absent from thee?" We should be earnest with God for a settled peace in communion with God through Christ, that we may not be as waifs and strays, ready to be picked up by him that next passes by.

      II. The gracious answer which the bridegroom gives to this request, Song of Solomon 1:8; Song of Solomon 1:8. See how ready God is to answer prayer, especially prayers for instruction; even while she is yet speaking, he hears. Observe, 1. How affectionately he speaks to her: O thou fairest among women! Note, Believing souls are fair, in the eyes of the Lord Jesus, above any other. Christ sees a beauty in holiness, whether we do or no. The spouse has called herself black, but Christ calls her fair. Those that are low in their own eyes are so much the more amiable in the eyes of Jesus Christ. Blushing at their own deformity (says Mr. Durham) is a chief part of their beauty. 2. How mildly he checks her for her ignorance, in these words, If thou know not, intimating that she might have known it if it had not been her own fault. What! dost thou not know where to find me and my flock? Compare Christ's answer to a like address of Philip's (John 14:9), Have I been so long time with you, and yet hast thou not known me, Philip? But, 3. With what tenderness he acquaints her where she might find him. If men say, Lo, here is Christ, or, Lo, he is there, believe them not, go not after them,Matthew 24:23; Matthew 24:26. But, (1.) Walk in the way of good men (Proverbs 2:20), follow the track, ask for the good old way, observe the footsteps of the flock, and go forth by them. It will not serve to sit still and cry, "Lord, show me the way," but we must bestir ourselves to enquire out the way; and we may find it by looking which way the footsteps of the flock lead, what has been the practice of godly people all along; let that practice be ours, Hebrews 6:12; 1 Corinthians 11:1. (2.) Sit under the direction of good ministers: "Feed thyself and thy kids besides the tents of the under-shepherds. Bring thy charge with thee" (it is probable that the custom was to commit the lambs and kids to the custody of the women, the shepherdesses); "they shall all be welcome; the shepherds will be no hindrance to thee, as they were to Reuel's daughters (Exodus 2:17), but helpers rather, and therefore abide by their tents." Note, Those that would have acquaintance and communion with Christ must closely and conscientiously adhere to holy ordinances, must join themselves to his people and attend his ministers. Those that have the charge of families must bring them with them to religious assemblies; let their kids, their children, their servants, have the benefit of the shepherds' tents.

      III. The high encomiums which the bridegroom gives of his spouse. To be given in marriage, in the Hebrew dialect, is to be praised (Psalms 78:63, margin), so this spouse is here; her husband praises this virtuous woman (Proverbs 31:28); he praises her, as is usual in poems, by similitudes. 1. He calls her his love (Song of Solomon 1:9; Song of Solomon 1:9); it is an endearing compellation often used in this book: "My friend, my companion, my familiar." 2. He compares her to a set of strong and stately horses in Pharaoh's chariots. Egypt was famous for the best horses. Solomon had his thence; and Pharaoh, no doubt, had the choicest the country afforded for his own chariots. The church had complained of her own weakness, and the danger she was in of being made a prey of by her enemies: "Fear not," says Christ; "I have made thee like a company of horses; I have put strength into thee as I have done into the horse (Job 39:19), so that thou shalt with a gracious boldness mock at fear, and not be affrighted, like the lion,Proverbs 28:1. The Lord has made thee as his goodly horse in the day of battle,Zechariah 10:3. I have compared thee to my company of horses which triumphed over Pharaoh's chariots, the holy angels, horses of fire." Habakkuk 3:15, Thou didst walk through the sea with thy horses; and see Isaiah 63:13. We are weak in ourselves, but if Christ make us as horses, strong and bold, we need not fear what all the powers of darkness can do against us. 3. He admires the beauty and ornaments of her countenance (Song of Solomon 1:10; Song of Solomon 1:10): Thy cheeks are comely with rows of jewels, the attire of the head, curls of hair, or favourites (so some), or knots of ribbons; thy neck also with chains, such as persons of the first rank wear, chains of gold. The ordinances of Christ are the ornaments of the church. The graces, gifts, and comforts of the Spirit, are the adorning of every believing soul, and beautify it; these render it, in the sight of God, of great price. The ornaments of the saints are many, but all orderly disposed in rows and chains, in which there is a mutual connexion with and dependence upon each other. The beauty is not from any thing in themselves, from the neck or from the cheeks, but from ornaments with which they are set off. It was comeliness which I put upon thee, said the Lord God; for we were born not only naked, but polluted, Ezekiel 16:14.

      IV. His gracious purpose to add to her ornaments; for where God has given true grace he will give more grace; to him that has shall be given. Is the church courageous in her resistance of sin, as the horses in Pharaoh's chariots? Is she comely in the exercise of grace, as with rows of jewels and chains of gold? She shall be yet further beautified (Song of Solomon 1:11; Song of Solomon 1:11): We will make thee borders of gold, inlaid, or enamelled, with studs of silver. Whatever is wanting shall be made up, till the church and every true believer come to be perfect in beauty; see Ezekiel 16:14. This is here undertaken to be done by the concurring power of the three persons in the Godhead: We will do it; like that (Genesis 1:26), "Let us make man; so let us new-make him, and perfect his beauty." The same that is the author will be the finisher of the good work; and it cannot miscarry.