Study Desk

He made a Lampstand of pure hammered gold, making its stem and branches, cups, calyxes, and petals all of one piece. It had six branches, three from one side and three from the other; three cups shaped like almond blossoms with calyxes and petals on one branch, three on the next, and so on—the same for all six branches. On the main stem of the Lampstand, there were four cups shaped like almonds, with calyxes and petals, a calyx extending from under each pair of the six branches. The entire Lampstand with its calyxes and stems was fashioned from one piece of hammered pure gold. He made seven of these lamps with their candle snuffers, all out of pure gold.

He made an Altar for burning incense from acacia wood. He made it a foot and a half square and three feet high, with its horns of one piece with it. He covered it with a veneer of pure gold, its top, sides, and horns, and made a gold molding around it with two rings of gold beneath the molding. He placed the rings on the two opposing sides to serve as holders for poles by which it will be carried. He made the poles of acacia wood and covered them with a veneer of gold.

He made the Altar of Whole-Burnt-Offering from acacia wood. He made it seven and a half feet square and four and a half feet high. He made horns at each of the four corners. The horns were made of one piece with the Altar and covered with a veneer of bronze. He made from bronze all the utensils for the Altar: the buckets for removing the ashes, shovels, basins, forks, and fire pans. He made a grate of bronze mesh under the ledge halfway up the Altar. He cast four rings at each of the four corners of the bronze grating to hold the poles. He made the poles of acacia wood and covered them with a veneer of bronze. He inserted the poles through the rings on the two sides of the Altar for carrying it. The Altar was made out of boards; it was hollow.

And he made the Courtyard. On the south side the hangings for the Courtyard, woven from fine twisted linen, were 150 feet long, with their twenty posts and twenty bronze bases, and fastening hooks and bands of silver. The north side was exactly the same.

The west end of the Courtyard had seventy-five feet of hangings with ten posts and bases, and fastening hooks and bands of silver. Across the seventy-five feet at the front, or east end, were twenty-two and a half feet of hangings, with their three posts and bases on one side and the same for the other side. All the hangings around the Courtyard were of fine twisted linen. The bases for the posts were bronze and the fastening hooks and bands on the posts were of silver. The posts of the Courtyard were both capped and banded with silver. The screen at the door of the Courtyard was embroidered in blue, purple, and scarlet fabric with fine twisted linen. It was thirty feet long and seven and a half feet high, matching the hangings of the Courtyard. There were four posts with bases of bronze and fastening hooks of silver; they were capped and banded in silver. All the pegs for The Dwelling and the Courtyard were made of bronze.

This is an inventory of The Dwelling that housed The Testimony drawn up by order of Moses for the work of the Levites under Ithamar, son of Aaron the priest. Bezalel, the son of Uri, son of Hur, of the tribe of Judah, made everything that God had commanded Moses. Working with Bezalel was Oholiab, the son of Ahisamach, of the tribe of Dan, an artisan, designer, and embroiderer in blue, purple, and scarlet fabrics and fine linen.

Silver. The silver from those in the community who were registered in the census came to 6,437 pounds according to the Sanctuary standard—that amounted to a beka, or half-shekel, for every registered person aged twenty and over, a total of 603,550 men. They used the three and one-quarter tons of silver to cast the bases for the Sanctuary and for the hangings, one hundred bases at sixty-four pounds each. They used the remaining thirty-seven pounds to make the connecting hooks on the posts, and the caps and bands for the posts.

Bronze. The bronze that was brought in weighed 4,522 pounds. It was used to make the door of the Tent of Meeting, the Bronze Altar with its bronze grating, all the utensils of the Altar, the bases around the Courtyard, the bases for the gate of the Courtyard, and all the pegs for The Dwelling and the Courtyard.

Vestments. Using the blue, purple, and scarlet fabrics, they made the woven vestments for ministering in the Sanctuary. Also they made the sacred vestments for Aaron, as God had commanded Moses.

They mounted the onyx stones in a setting of filigreed gold and engraved the names of the sons of Israel on them, then fastened them on the shoulder pieces of the Ephod as memorial stones for the Israelites, just as God had commanded Moses.

Fourth row: beryl, onyx, jasper. The stones were mounted in a gold filigree. The twelve stones corresponded to the names of the sons of Israel, twelve names engraved as on a seal, one for each of the twelve tribes.

They made braided chains of pure gold for the Breastpiece, like cords. They made two settings of gold filigree and two rings of gold, put the two rings at the two ends of the Breastpiece, and fastened the two ends of the cords to the two rings at the end of the Breastpiece. Then they fastened the cords to the settings of filigree, attaching them to the shoulder pieces of the Ephod in front. Then they made two rings of gold and fastened them to the two ends of the Breastpiece on its inside edge facing the Ephod. They made two more rings of gold and fastened them in the front of the Ephod to the lower part of the two shoulder pieces, near the seam above the decorated band of the Ephod. The Breastpiece was fastened by running a cord of blue through its rings to the rings of the Ephod so that it rested secure on the decorated band of the Ephod and wouldn't come loose, just as God had commanded Moses.

Robe. They made the robe for the Ephod entirely of blue. The opening of the robe at the center was like a collar, the edge hemmed so that it wouldn't tear. On the hem of the robe they made pomegranates of blue, purple, and scarlet material and fine twisted linen. They also made bells of pure gold and alternated the bells and pomegranates—a bell and a pomegranate, a bell and a pomegranate—all around the hem of the robe that was worn for ministering, just as God had commanded Moses.

They also made the tunics of fine linen, the work of a weaver, for Aaron and his sons, the turban of fine linen, the linen hats, the linen underwear made of fine twisted linen, and sashes of fine twisted linen, blue, purple, and scarlet material and embroidered, just as God had commanded Moses.

They presented The Dwelling to Moses, the Tent and all its furnishings: fastening hooks frames crossbars posts bases tenting of tanned ram skins tenting of dolphin skins veil of the screen Chest of The Testimony with its poles and Atonement-Cover Table with its utensils and the Bread of the Presence Lampstand of pure gold and its lamps all fitted out and all its utensils and the oil for the light Gold Altar anointing oil fragrant incense screen for the entrance to the Tent Bronze Altar with its bronze grate its poles and all its utensils Washbasin and its base hangings for the Courtyard its posts and bases screen for the gate of the Courtyard its cords and its pegs utensils for ministry in The Dwelling, the Tent of Meeting woven vestments for ministering in the Sanctuary sacred vestments for Aaron the priest, and his sons when serving as priests

He placed The Testimony in the Chest, inserted the poles for carrying the Chest, and placed the lid, the Atonement-Cover, on it. He brought the Chest into The Dwelling and set up the curtain, screening off the Chest of The Testimony, just as God had commanded Moses.

He placed the Washbasin between the Tent of Meeting and the Altar, and filled it with water for washing. Moses and Aaron and his sons washed their hands and feet there. When they entered the Tent of Meeting and when they served at the Altar, they washed, just as God had commanded Moses.

Finally, he erected the Courtyard all around The Dwelling and the Altar, and put up the screen for the Courtyard entrance. Moses finished the work.

"If the offering is a Whole-Burnt-Offering from the herd, present a male without a defect at the entrance to the Tent of Meeting that it may be accepted by God . Lay your hand on the head of the Whole-Burnt-Offering so that it may be accepted on your behalf to make atonement for you. Slaughter the bull in God 's presence. Aaron's sons, the priests, will make an offering of the blood by splashing it against all sides of the Altar that stands at the entrance to the Tent of Meeting. Next, skin the Whole-Burnt-Offering and cut it up. Aaron's sons, the priests, will prepare a fire on the Altar, carefully laying out the wood, and then arrange the body parts, including the head and the suet, on the wood prepared for the fire on the Altar. Scrub the entrails and legs clean. The priest will burn it all on the Altar: a Whole-Burnt-Offering, a Fire-Gift, a pleasing fragrance to God .

"If the Whole-Burnt-Offering comes from the flock, whether sheep or goat, present a male without defect. Slaughter it on the north side of the Altar in God 's presence. The sons of Aaron, the priests, will throw the blood against all sides of the Altar. Cut it up and the priest will arrange the pieces, including the head and the suet, on the wood prepared for burning on the Altar. Scrub the entrails and legs clean. The priest will offer it all, burning it on the Altar: a Whole-Burnt-Offering, a Fire-Gift, a pleasing fragrance to God .