Pastoral Resources

I have always had a horror and detestation of poverty.

We could hang around for ten years and nobody would care enough to identify us. Therein lies the horror.

There are a couple of things in there if we're constraining this discussion to horror here.

Scream was great for what it was. For a horror film, it was intelligent, it was funny, it took a laugh at itself.

I'm just one of those people that if I sit down to watch a horror film, I put my hands over my face and I cry a lot and I don't see half of the film because I'm too upset.

People who sleep around to get roles are frail and scared and most likely without talent. It's their own little horror show that only they can deal with.

And I'm auditioning right now for a movie, and then I have a script that I'm reading right now for a horror film, and I'm meeting for a couple of television shows that I just had yesterday, and pretty much was offered one of them.

What scares me is what scares you. We're all afraid of the same things. That's why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you'll know what frightens me.

One could make money and get a career going with a low-budget horror film about killers attacking on holidays. It is always flattering to have somebody copy you.

It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.

In England, I'm a horror movie director. In Germany, I'm a filmmaker. In the US, I'm a bum.

This man, although he appeared so humble and embarrassed in his air and manners, and passed so unheeded, had inspired me with such a feeling of horror by the unearthly paleness of his countenance, from which I could not avert my eyes, that I was unable longer to endure it.

This film is what it is. It's a campy thriller horror movie where you go and have fun. With these types of films, you can't take it too seriously. They are what they are.

And I think that I'd be a natural for scoring horror movies.

I had a tremendous horror of going into the Army. That is probably why I went to college for so long.

All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.

I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.

Part of the public horror of sexual irregularity so-called is due to the fact that everyone knows himself essentially guilty.

One of the best things that ever happened to me was Rocky Horror being a total flop in New York as a play. I mean, it was a disaster, and it was the night of the long knives as far as the critics were concerned.

The reason bin Laden staggered the planes going into the towers was so every camera would be focused on the second tower when the plane hit. It was not only the murder, but the perpetual image of the horror that permeated into people's consciousness.